May 02, 2024  
2020-2021 Academic Catalog 
    
2020-2021 Academic Catalog [ARCHIVED CATALOG]

Course Descriptions


Definitions:

Prerequisites: A course that must be taken prior to a given course.
Co-requisites: A course that must be taken at the same time as a given course.

Course text books and materials lists are provided in the online catalog as a convenience to students and every effort is made to keep this information up to date, although changes and updates can happen just prior to the start of term or at any time. In general, if there is no required/recommended text listed, the acquisition of a text is not required and information will likely be contained within your course content in the LMS. Some requirements may vary based on course modality or instructor. Your unique course syllabus and course welcome letters will contain the most up to date information each term. If you have questions regarding requirements for your particular course and section, please contact your individual instructor(s).

 

Interior Design

  
  • ID 2840 - Design Process + Planning


    Credits: 3

    This sophomore-level course introduces students to the design process as it relates to programming and spatial development. Emphasis is on programming methodology, problem-solving strategies, and the role of space planning for residential and small commercial spaces within the context of the relationship between human beings and their environment. Upon successful completion of this course, students will have the ability to plan common residential and commercial spaces with considerations for physical and psychological factors, spatial relationships, functionality, safety, accessibility, and specific need.

    Prerequisites: ID 1510 - Survey of Interior Design  and ID 1710 - Drafting  

    Notes: (Formerly ID 2850)


    Course Learning Outcomes:
    • Understand theories related to the impact of the built environment on human experience, behavior, and performance.
    • Gather and apply human- centered evidence.
    • Analyze and synthesize human perception and behavior patterns to inform design solutions.
    • Apply human factors, ergonomics, and universal design principles to design solutions.
    • Apply space planning techniques throughout the design process.
    • Apply knowledge and skills learned to solve progressively complex design problems.
    • Apply knowledge and skills learned to identify and define issues relevant to the design problem.
    • Apply knowledge and skills learned to design original and creative solutions.
    • Apply knowledge and skills learned to execute the design process: pre-design, quantitative and qualitative programming, schematic design, and design development.
    •  
    • Understand the importance of evaluating the relevance and reliability of information and research impacting design solutions.
    • Recognize a range of problem identification and problem solving methods.
    • Recognize innovation and risk taking.
    • Recognize methods of idea generation and design thinking.
    • Effectively interpret and communicate data and research.
    • Effectively express ideas and their rationale in oral communication.
    • Effectively express ideas and their rationale in written communication.
    • Effectively express ideas developed in the design process through visual media: ideation drawings and sketches.
    • Effectively express project solutions using a variety of visual communication techniques and technologies appropriate to a range of purposes and audiences.
    • Understand how design solutions affect and are impacted by vertical and horizontal systems of transport and circulation such as stairs, elevators, or escalators.
    • Recognize the origins and intent of laws, codes, and standards.

    ID 2840 Course Learning Outcome Rubric  

     

    Required Textbooks:
    Space Planning Basics, 4th Edition - ISBN: 978-1118882009

    Human Dimensions + Interior Space - ISBN: 9780823072712

    Time-Saver Standards for Interior Design and Space Planning, 2nd Edition - ISBN: 9780071346160
    Required Course Materials:

    • Basic Drafting Equipment
    • Colored Markets and pencils
    • ¼” and 1/8” graph paper
    • ¼” and 1/8” combination plumbing template
    • Circle Template
    • 11” x 14” vellum sheets
    • Roll of 18” white tracing paper (aka “bum wad” or “trash”)
    • 3-ring binder
    • 25’-0” or 30’-0” tape measure
    • Calculator (smartphone app available at Construction Master)
    • Clipboard (optional, for fieldwork)
    • Storage tube (plastic or cardboard to fit 24” drawings)

Credits: 3
  
  • ID 3000 - Interior Design Junior Portfolio Review


    Credits: 0

    Students who have completed 72-90 credit hours are required to participate in a Junior portfolio review. Students will present original art and design work from Interior design courses where faculty evaluate mastery of Interior Design skills and identify strengths and areas of improvement. Art and design work will illustrate competency in programming methodology, problem-solving strategies, Building codes and regulations, two-dimensional and three-dimensional fundamentals. Upon successful completion of the Junior Portfolio Review, students will have a working portfolio that illustrates their individual skills and knowledge of Interior Design through completed projects in a professional format. Students must pass the junior portfolio review prior to moving into senior course work and the completion of 90 credits.

    Prerequisites: IDSD 3870 - Sustainable Office Design  and completion of 72+ credits.

    Notes: This course is Pass/Fail.


    Course Learning Outcomes:
    • GLOBAL CONTEXT Apply a global view and consider social, cultural, economic, and ecological contexts in all aspects of their work.
    • COLLABORATION Collaborate and participate in interdisciplinary teams.
    • BUSINESS PRACTICES + PROFESSIONALISM Understand the principles and processes that define the profession and the value of interior design to society.
    • HUMAN-CENTERED DESIGN Apply knowledge of human experience and behavior to designing the built environment.
    • DESIGN PROCESS Apply all aspects of the design process to creatively solve a design problem.
    • COMMUNICATION Demonstrate effective and polished written and oral communication skills.
    • HISTORY + THEORY Apply knowledge of the history of interiors, architecture, decorative arts, and art to design work.
    • DESIGN ELEMENTS + PRINCIPLES Apply elements and principles of design.
    • LIGHT + COLOR Apply the principles and theories of light and color effectively in relation to environmental impact and human wellbeing.
    • PRODUCTS + MATERIALS Create design solutions that integrate furnishings, products, materials, and finishes.
    • ENVIRONMENTAL SYSTEMS + HUMAN WELLBEING Apply the principles of acoustics, thermal comfort, indoor air quality and water and waste management in relation to environmental impact and human well- being.
    • CONSTRUCTION Understand interior construction and its interrelationship with base building construction and systems.
    • REGULATIONS + GUIDELINES Apply laws, codes, standards, and guidelines that impact human experience of interior spaces.

    ID 3000 Course Learning Outcome Rubric  

     

Credits: 0
  
  • ID 3510 - Building Structures + Systems


    Credits: 3

    This junior-level course examines the integration of building structural methods and materials with building and environmental systems as they relate to interior design practice. Emphasis is on understanding and illustrating building construction in compliance with building and life safety codes. Upon successful completion of this course, students will understand typical construction materials, methods, and systems, as well as experimental and sustainable alternatives; utilize primary reference sources for specific building systems and materials; and produce a set of residential construction documents within the context of graphic standards in the industry.

    Prerequisites: ID 2530 - Building Codes + Regulations  and ID 2710 - Introduction to Computer Aided Design (CAD)  

    Notes: (Formerly ID 3750)


    Course Learning Outcomes:
    • Understand that human and environmental conditions vary according to geographic location and impact design and construction decisions.
    • Understand how systems thinking informs the practice of interior design.
    • Recognize the integration of multi-disciplinary collaboration in design practice.
    • Understand the terminology and language necessary to communicate effectively with members of allied disciplines.
    • Understand technologically- based collaboration methods specific to the problem-solving process for built environment disciplines.
    • Understand the dynamics of team collaboration and the distribution and structure of team responsibilities.
    • Demonstrate the ability to effectively collaborate with multiple disciplines in developing design solutions.
    • Recognize evolving communication technologies.
    • Understand that design decisions relating to acoustics, thermal comfort, and indoor air quality impact human well-being and the environment.
    • Understand the principles of acoustical design.
    • Understand appropriate strategies for acoustical control.
    • Understand the principles of thermal design.
    • Understand how active and passive thermal systems and components impact interior design solutions.
    • Recognize the environmental impact of construction.
    • Understand how design solutions affect and are impacted by base-building structural systems and construction methods.
    • Understand how design solutions affect and are impacted by interior systems, construction, and installation methods.
    • Understand how design solutions affect and are impacted by detailing and specification of interior construction materials, products, and finishes.
    • Understand how design solutions affect and are impacted by the integration of building systems including electrical (such as power, data, lighting, telecommunications, audio visual) and mechanical (such as HVAC, plumbing, and sprinklers).
    • Understand how design solutions affect and are impacted by monitoring systems pertaining to energy, security, and building controls systems.
    • Understand how design solutions affect and are impacted by vertical and horizontal systems of transport and circulation such as stairs, elevators, or escalators.
    • Understand the formats, components, and accepted standards for an integrated and comprehensive set of interior construction documents.
    • Read and interpret base- building construction documents.
    • Contribute to the production of interior contract documents including drawings, detailing, schedules, and specifications appropriate to project size and scope.

    ID 3510 Course Learning Outcome Rubric  

     

    Required Textbooks:
    Building Construction Illustrated, 5th Edition - ISBN: 9781118458341
    Required Course Materials:

    • (3) Ring Binder
    • Drawing Tube
    • Flash Drive
    • Drafting Supplies
    • Trash/trace paper (18” roll)
    • Sharpies (black)
    • Vellum as needed
    • Misc. model making/presentation supplies
    • Camera
    • Measuring Tape

Credits: 3
  
  • ID 3530 - Lighting Layout + Design


    Credits: 3

    This junior-level course introduces students to the theoretical, technical, and practical application of lighting strategies within the built environment. Students learn to specify light sources and systems based on functionality, aesthetics, and the physical and psychological relationship between humans and their environment. Emphasis is on the understanding and application of lighting criteria through the use of source calculations, lighting and reflected ceiling plans, energy efficiency strategies, and building system integration. Upon successful completion of this course, students will be able to determine and design appropriate lighting solutions within the context of design standards for human well-being for both residential and commercial spaces.

    Prerequisites: ID 2710 - Introduction to Computer Aided Design (CAD) , IDSD 2860 - Sustainable Residential Design , and ID 2530 - Building Codes + Regulations  

    Notes: (Formerly ID 3970)


    Course Learning Outcomes:
    • Apply space planning techniques throughout the design process.
    • Apply knowledge and skills learned to solve progressively complex design problems.
    • Apply knowledge and skills learned to identify and define issues relevant to the design problem.
    • Apply knowledge and skills learned to execute the design process: pre-design, schematic design, and design development.
    • Apply knowledge and skills learned to design original and creative solutions.
    • Apply knowledge and skills learned to execute the design process: pre-design, quantitative and qualitative programming, schematic design, and design development.
    • Recognize innovation and risk taking.
    • Effectively express ideas developed in the design process through visual media: ideation drawings and sketches.
    • Understand the principles of natural and artificial lighting design.
    • Understand strategies for using and modulating natural light.
    • Competently select and apply luminaires and light sources.
    • Recognize a range of sources for information and research about color.
    • Understand color principles, theories, and systems.
    • Understand color in relation to materials, textures, light, and form.
    • Understand the principles of thermal design.
    • Understand how active and passive thermal systems and components impact interior design solutions.
    • Understand the principles of indoor air quality.
    • Understand how the selection and application of products and systems impact indoor air quality.
    • Understand how design solutions affect and are impacted by monitoring systems pertaining to energy, security, and building controls systems.

    ID 3530 Course Learning Outcome Rubric  

     

    Required Textbooks:
    Fundamentals of Lighting, 3rd edition - ISBN: 9781501317668

    Lighting Design Basics, 3rd Edition - ISBN: 9781119394310

Credits: 3
  
  • ID 3550 - Custom Furnishings


    Credits: 3

    This junior-level course emphasizes innovation and creativity in the design of functional furniture pieces. Students investigate appropriate materials, including sustainable alternatives, and apply relevant assembly and construction techniques for their designs. Upon successfully completing this course, students will understand and implement the creative, technical, and practical processes involved in the design and construction of custom furniture for specific uses.

    Prerequisites: FD 2130 - 3D Design: Space + Materiality  

    Notes: (Formerly ID 4850)


    Course Learning Outcomes:
    • Understand theories related to the impact of the built environment on human experience, behavior, and performance.
    • Understand the relationship between the natural, built, virtual, and technological environments as they relate to the human experience, wellbeing, behavior, and performance.
    • Gather and apply human- centered evidence.
    • Analyze and synthesize human perception and behavior patterns to inform design solutions.
    • Apply human factors, ergonomics, and universal design principles to design solutions.
    • Apply wayfinding techniques to design solutions.
    • ID5 DESIGN PROCESS - Apply all aspects of the design process to creatively solve a design problem.
    • Apply space planning techniques throughout the design process.
    • Effectively express ideas developed in the design process through visual media: ideation drawings and sketches.
    • Effectively express project solutions using a variety of visual communication techniques and technologies appropriate to a range of purposes and audiences.
    • Understand the elements and principles of design, including spatial definition and organization.
    • Demonstrate the ability to explore a range of two- and three-dimensional design solutions using a variety of media.
    • Effectively apply the elements and principles of design and related theories throughout the interior design curriculum to two-dimensional design solutions.
    • Effectively apply the elements and principles of design and related theories throughout the interior design curriculum to three-dimensional design solutions.
    • Understand how furnishings, objects, materials, and finishes work together to support the design intent.
    • Understand typical fabrication, installation methods, and maintenance requirements.
    • Understand appropriate design or specification of products and materials in relation to project criteria and human and environmental wellbeing.
    • Recognize the environmental impact of construction.
    • Understand how design solutions affect and are impacted by base-building structural systems and construction methods.
    • Understand how design solutions affect and are impacted by interior systems, construction, and installation methods.
    • Understand how design solutions affect and are impacted by detailing and specification of interior construction materials, products, and finishes.

    ID 3550 Course Learning Outcome Rubric  

Credits: 3
  
  • ID 3610 - Interior Design Professional Practices


    Credits: 3

    This junior-level course introduces students to the fundamental considerations and processes involved in creating and running a professional interior design business including the legal, ethical, practical, and professional requirements involved in interior design practice. Students investigate types of business structures and practices; documents and contracts; professional working relationships with related disciplines; principles of job-cost estimating; and project management methods. Students also investigate and develop effective marketing techniques for themselves in anticipation of their internship in addition to job placement upon graduation. Upon successful completion of this course, students will have the ability to successfully assess their interior design career options, demonstrate the necessary skills to enter professional practice, and understand the principles and practices of the interior design profession.

    Prerequisites: ID 3530 - Lighting Layout + Design , IDSD 2870 - Sustainable Holistic Design  

    Course Learning Outcomes:
    • Recognize current and relevant events that are shaping contemporary society and the world.
    • Define the contexts for interior design practice.
    • Define the impact of a global market on design practices.
    • Define the breadth and depth of interior design’s impact and value.
    • Define the components of business practice.
    • Understand types of professional business formations.
    • Understand elements of project management.
    • Understand the instruments of service such as contract documents, transmittals, schedules, budgets, and specifications.
    • Understand professional ethics and conduct.
    • Engage in career opportunities an interior design education can afford and the options for advanced study.
    • Engage with role models who are qualified by education and experience in interior design.
    • Recognize the role and value of legal recognition for the profession.
    • Recognize the role and value of professional organizations.
    • Recognize the role and value of life-long learning.
    • Recognize the role and value of public service.

    ID 3610 Course Learning Outcome Rubric  

    Required Textbooks:
    Professional Practice for Interior Designers in the Global Marketplace - ISBN: 9781609011383

    Professional Practice for Interior Designers, 5th Edition - ISBN: 9781118090794
    Required Course Materials:

    • (3) Ring 3” Binder
    • (16) Dividers with Index/Table of Contents Page

Credits: 3
  
  • ID 3630 - Interior Design Portfolio Development


    Credits: 3

    This junior-level course provides students with direction and guidance for the development of their interior design portfolio. Emphasis is on the format and presentation of coursework completed to date to create a visual representation of skill development and progression. Students investigate a variety of manual and digital methods to enhance their portfolios and market their abilities. Upon successful completion of this course, students will have a working portfolio that illustrates their individual skills and knowledge of interior design through completed projects in a professional format.

    Prerequisites: ID 3715 - Building Information Modeling: Revit , IDSD 3845 - Sustainable Hospitality Design  and completion of 60+ credit hours.

    Notes: (Formerly ID 3300)


    Course Learning Outcomes:
    • GLOBAL CONTEXT Apply a global view and consider social, cultural, economic, and ecological contexts in all aspects of their work.
    • COLLABORATION Collaborate and participate in interdisciplinary teams.
    • BUSINESS PRACTICES + PROFESSIONALISM Understand the principles and processes that define the profession and the value of interior design to society.
    • HUMAN-CENTERED DESIGN Apply knowledge of human experience and behavior to designing the built environment.
    • DESIGN PROCESS Apply all aspects of the design process to creatively solve a design problem.
    • COMMUNICATION Demonstrate effective and polished written and oral communication skills.
    • HISTORY + THEORY Apply knowledge of the history of interiors, architecture, decorative arts, and art to design work.
    • DESIGN ELEMENTS + PRINCIPLES Apply elements and principles of design.
    • LIGHT + COLOR Apply the principles and theories of light and color effectively in relation to environmental impact and human wellbeing.
    • PRODUCTS + MATERIALS Create design solutions that integrate furnishings, products, materials, and finishes.
    • ENVIRONMENTAL SYSTEMS + HUMAN WELLBEING Apply the principles of acoustics, thermal comfort, indoor air quality and water and waste management in relation to environmental impact and human well- being.
    • CONSTRUCTION Understand interior construction and its interrelationship with base building construction and systems.
    • REGULATIONS + GUIDELINES Apply laws, codes, standards, and guidelines that impact human experience of interior spaces.

    ID 3630 Course Learning Outcome Rubric  

     

Credits: 3
  
  • ID 3715 - Building Information Modeling: Revit


    Credits: 3

    This junior-level course introduces students to Building Information Modeling (BIM) and Revit software and its use for three-dimensional modeling and rendering for design development, presentation, and construction drawings. Emphasis is on the appropriate use of commands, routines, operations, and settings for studying and presenting designs for the built environment. Upon successful completion of this course, students understand the software and systems studies and use those systems to develop three-dimensional computer models to represent design solutions.

    Prerequisites: ID 2530 - Building Codes + Regulations  and ID 2710 - Introduction to Computer Aided Design (CAD)  

    Notes: (Formerly ID 3715 Building Information Modeling, ID 4750 Building Information Modeling)


    Course Learning Outcomes:
    • Apply knowledge and skills learned to synthesize information to generate evidence-based design solutions.
    • Apply knowledge and skills learned to execute the design process: pre-design, quantitative and qualitative programming, schematic design, and design development.
    • Demonstrate the ability to explore a range of two- and three-dimensional design solutions using a variety of media.
    • Effectively apply the elements and principles of design and related theories throughout the interior design curriculum to two-dimensional design solutions.
    • Effectively apply the elements and principles of design and related theories throughout the interior design curriculum to three-dimensional design solutions.
    • Understand color in relation to materials, textures, light, and form.
    • Appropriately use color solutions across different modes of design communication.

    ID 3715 Course Learning Outcome Rubric  

Credits: 3
  
  • ID 4000 - Interior Design Senior Portfolio Review


    Credits: 0

    All seniors who are ready to graduate are required to participate in their departmental senior portfolio review. This pre-graduation portfolio review is an initial step in preparing students to move from the academic environment into the professional world. Specific portfolio requirements and schedules vary by department. Upon successful completion of this review, students will be able to further develop their individual portfolios for entrance into the design profession and/or graduate school.

    Prerequisites: ID 2000 - Interior Design Sophomore Portfolio Review IDSD 4881 - Senior Project I: Sustainable Design Research , and IDSD 4870 - Sustainable Special Use Design .

    Corequisites: IDSD 4882 - Senior Project II: Sustainable Design Project  

    Notes: This course is Pass/Fail.

    The textbook Portfolios for Interior Designers: A Guide to Portfolios, Creative Resumes, + the Job Search is also used in IDSD4250.




    Course Learning Outcomes:
    • GLOBAL CONTEXT Apply a global view and consider social, cultural, economic, and ecological contexts in all aspects of their work.
    • COLLABORATION Collaborate and participate in interdisciplinary teams.
    • BUSINESS PRACTICES + PROFESSIONALISM Understand the principles and processes that define the profession and the value of interior design to society.
    • HUMAN-CENTERED DESIGN Apply knowledge of human experience and behavior to designing the built environment.
    • DESIGN PROCESS Apply all aspects of the design process to creatively solve a design problem.
    • COMMUNICATION Demonstrate effective and polished written and oral communication skills.
    • HISTORY + THEORY Apply knowledge of the history of interiors, architecture, decorative arts, and art to design work.
    • DESIGN ELEMENTS + PRINCIPLES Apply elements and principles of design.
    • LIGHT + COLOR Apply the principles and theories of light and color effectively in relation to environmental impact and human wellbeing.
    • PRODUCTS + MATERIALS Create design solutions that integrate furnishings, products, materials, and finishes.
    • ENVIRONMENTAL SYSTEMS + HUMAN WELLBEING Apply the principles of acoustics, thermal comfort, indoor air quality and water and waste management in relation to environmental impact and human well-being.
    • CONSTRUCTION Understand interior construction and its interrelationship with base building construction and systems.
    • REGULATIONS + GUIDELINES Apply laws, codes, standards, and guidelines that impact human experience of interior spaces.

    ID 4000 Course Learning Outcome Rubric  

     

    Required Textbooks:
    Portfolios for Interior Designers: A Guide to Portfolios, Creative Resumes, + the Job Search - ISBN: 9780470408162

Credits: 0
  
  • ID 4611 - Interior Design Internship Program Part I


    Credits: 1.5

    Students will enroll in this part I version of the course to meet the requirements of the internship. This senior-level program enables students to work with established design professionals specifically related to their career interests. Under the direction of the Department Chair and the Director of Career + Alumni Services, students are carefully evaluated to facilitate the best possible student/sponsor connection, and a planned program of activities is then coordinated with the professional internship sponsor. Students are exposed to a variety of on-the-job experiences such as space planning, drafting, showroom use, presentation boards, installation supervision, and client and manufacturer interaction. Students must participate in a scheduled pre-internship seminar prior to enrolling in the internship program. Upon successful completion of the internship program, students will have real-world experience working with a design, architectural, or related firm that prepares them to successfully enter the design profession.

    Prerequisites: ID 3610 - Interior Design Professional Practices  and department approval

    Notes: This course is Pass/Fail.

    Required textbooks from this course are also used in ID4612.




    Course Learning Outcomes:
    • Recognize the role and value of life-long learning.
    • Understand theories related to the impact of the built environment on human experience, behavior, and performance.
    • Understand the relationship between the natural, built, virtual, and technological environments as they relate to the human experience, wellbeing, behavior, and performance.
    • Gather and apply human- centered evidence.
    • Analyze and synthesize human perception and behavior patterns to inform design solutions.
    • Apply human factors, ergonomics, and universal design principles to design solutions.
    • Apply wayfinding techniques to design solutions.

    ID 4611 Course Learning Outcome Rubric  

    Required Textbooks:
    Who Moved My Cheese?: An Amazing Way to Deal With Change in Your Work and in Your Life - ISBN: 9780399144462

    The Interior Design Intern - ISBN: 9781563679070

Credits: 1.5
  
  • ID 4612 - Interior Design Internship Program Part II


    Credits: 1.5

    Students will enroll in this part II version of the course to meet the requirements of the internship. This senior-level course enables students to work with established design professionals specifically related to their career interests. Under the direction of the Department Chair and the Director of Career + Alumni Services, students are carefully evaluated to facilitate the best possible student/sponsor connection. A planned program of activities is then coordinated with the professional internship sponsor. Students are exposed to a variety of on-the-job experiences such as space planning, drafting, showroom use, presentation boards, installation supervision, and client and manufacturer interaction. Students must participate in a scheduled pre-internship seminar prior to enrolling in the internship program. Upon successful completion of the internship program, students will have real-world experience working with a design, architectural, or related firm that prepares them to successfully enter the design profession.

    Prerequisites: ID 4611 - Interior Design Internship Program Part I  

    Notes: This course is Pass/Fail.

    Required textbooks from this course are also used in ID4611.




    Course Learning Outcomes:
    • Recognize the role and value of legal recognition for the profession.
    • Define the contexts for interior design practice.
    • Define the impact of a global market on design practices.
    • Define the breadth and depth of interior design’s impact and value.
    • Define the components of business practice.
    • Understand types of professional business formations.
    • Engage with role models who are qualified by education and experience in interior design.
    • Recognize the role and value of life-long learning.
    • Recognize the role and value of public service.

    ID 4612 Course Learning Outcome Rubric  

    Required Textbooks:
    Who Moved My Cheese?: An Amazing Way to Deal With Change in Your Work and in Your Life - ISBN: 9780399144462

    The Interior Design Intern - ISBN: 9781563679070

Credits: 1.5
  
  • ID 4715 - Advanced Building Information Modeling: Revit


    Credits: 3

    This senior-level course provides in-depth application of industry Revit standards and procedures using advanced application and utility functions. Emphasis is on two-dimensional drafting and design as they relate to the interior design industry through the development of detailed Revit drawings using protocols and management/distribution systems and their manipulation for different drawing types. Also, students are introduced to three-dimensional computer modeling as a design development and presentation tool. Upon successful completion of this course, students will demonstrate competence with advanced Revit standards and procedures through the development, management and distribution of Revit documents, as well as the use of three-dimensional modeling software for design investigation and presentation. 

    Prerequisites: ID 3715 - Building Information Modeling: Revit  

    Course Learning Outcomes:
    • Understand professional ethics and conduct.
    • Effectively apply the elements and principles of design and related theories throughout the interior design curriculum to three-dimensional design solutions.
    • Understand how design solutions affect and are impacted by vertical and horizontal systems of transport and circulation such as stairs, elevators, or escalators.
    • Read and interpret base- building construction documents.
    • Contribute to the production of interior contract documents including drawings, detailing, schedules, and specifications appropriate to project size and scope.

    ID 4715 Course Learning Outcome Rubric   

     

    Required Textbooks:
    Revit Architecture 2020 for Designers 4th Edition, Douglas R. Seidler, ISBN 978-1501352980

Credits: 3
  
  • ID 4883 - Senior Project III: Construction Documents


    Credits: 3

    This senior-level course builds upon the skills and knowledge acquired throughout the program to complete a set of construction documents defending their senior project and all spaces. Students apply in-depth knowledge of the codes, laws, and standards governing interior design practice for the preparation of a valid set of constructions, specification, and cost estimations. Upon successful completion of this course, students will have the ability to create and assemble a set of code compliant construction documents for their three term senior project.

    Prerequisites: IDSD 4882 - Senior Project II: Sustainable Design Project  

    Notes: (Formerly ID 4995 Construction Documents, ID 3780 Construction Documents)


    Course Learning Outcomes:
    • Recognize the environmental impact of construction.
    • Understand how design solutions affect and are impacted by base-building structural systems and construction methods.
    • Understand how design solutions affect and are impacted by interior systems, construction, and installation methods.
    • Understand how design solutions affect and are impacted by detailing and specification of interior construction materials, products, and finishes.
    • Understand how design solutions affect and are impacted by the integration of building systems including electrical (such as power, data, lighting, telecommunications, audio visual) and mechanical (such as HVAC, plumbing, and sprinklers).
    • Understand how design solutions affect and are impacted by monitoring systems pertaining to energy, security, and building controls systems.
    • Understand how design solutions affect and are impacted by vertical and horizontal systems of transport and circulation such as stairs, elevators, or escalators.
    • Understand the formats, components, and accepted standards for an integrated and comprehensive set of interior construction documents.
    • Read and interpret base- building construction documents.
    • Contribute to the production of interior contract documents including drawings, detailing, schedules, and specifications appropriate to project size and scope.
    • Apply federal, state/provincial, and local codes including fire and life safety.
    • Apply barrier-free and accessibility regulations and guidelines.

    ID 4883 Course Learning Outcome Rubric  

    Required Textbooks:
    Interior Construction + Detailing for Designers + Architects, 6th Edition - ISBN: 9781591264200

    Construction Drawings and Details for Interiors, 3rd Edition - ISBN: 9781118944356
    Required Course Materials:

    • (3) Ring binder
    • Basic drafting equipment and /or AutoCAD/Revit
    • Roll of trace paper
    • Redlining pens

Credits: 3

Interior Design - Sustainable Design

  
  • IDSD 2860 - Sustainable Residential Design


    Credits: 3

    This sophomore-level course examines the functional and aesthetic elements and considerations for residential environments within the context of current design philosophies, contemporary issues impacting housing and shelter, and best practices. Students investigate and apply design solutions for diverse client populations through projects that include appropriate space planning and spatial definition, furniture and finish selections, and presentation methods. As part of the Sustainable Design Specialization, coursework must be completed using the sustainable knowledge and strategies obtained to date. Upon successful completion of this course, students will have the ability to recognize, evaluate, apply, and present different residential design alternatives using problem-solving strategies based on socio-cultural needs, contemporary issues for human function, and behavior specifically for safe and supportive residential environments.

    Prerequisites: ID 2710 - Introduction to Computer Aided Design (CAD) ID 2750 - Architectural Perspective + Rendering Techniques   and ID 2840 - Design Process + Planning  

    Notes: (Formerly IDSD 2860 Residential Design - Sustainable Design)

    The textbook Designing for Privacy + Related Needs is also used in IDSD 2870 and IDSD 4870.




    Course Learning Outcomes:
    • Understand how social, economic, cultural, and physical contexts inform interior design.
    • Understand how systems thinking informs the practice of interior design.
    • Reconize current and relevant events that are shaping contemporary society and the world.
    • Recognize a variety of cultural norms.
    • Demonstrate multi-cultural awareness.
    • Demonstrate the ability to effectively collaborate with multiple disciplines in developing design solutions.
    • Define the breadth and depth of interior design’s impact and value.
    • Understand theories related to the impact of the built environment on human experience, behavior, and performance.
    • Understand the relationship between the natural, built, virtual, and technological environments as they relate to the human experience, wellbeing, behavior, and performance.
    • Gather and apply human- centered evidence.
    • Analyze and synthesize human perception and behavior patterns to inform design solutions.
    • Apply human factors, ergonomics, and universal design principles to design solutions.
    • Apply wayfinding techniques to design solutions.
    • Apply space planning techniques throughout the design process.
    • Apply knowledge and skills learned to solve progressively complex design problems.
    • Apply knowledge and skills learned to identify and define issues relevant to the design problem.
    • Apply knowledge and skills learned to execute the design process: pre-design, schematic design, and design development.
    • Apply knowledge and skills learned to design original and creative solutions.
    • Apply knowledge and skills learned to execute the design process: pre-design, quantitative and qualitative programming, schematic design, and design development.
    • Understand the importance of evaluating the relevance and reliability of information and research impacting design solutions.
    • Recognize a range of problem identification and problem solving methods.
    • Recognize innovation and risk taking.
    • Recognize methods of idea generation and design thinking.
    • Effectively interpret and communicate data and research.
    • Effectively express ideas and their rationale in oral communication.
    • Effectively express ideas and their rationale in written communication.
    • Effectively express ideas developed in the design process through visual media: ideation drawings and sketches.
    • Effectively express project solutions using a variety of visual communication techniques and technologies appropriate to a range of purposes and audiences.
    • Recognize evolving communication technologies.
    • Competently select and apply luminaires and light sources.
    • Understand color terminology.
    • Understand color principles, theories, and systems.
    • Understand color in relation to materials, textures, light, and form.
    • Appropriately select and apply color to support design concepts.
    • Appropriately select and apply color to multiple design functions.
    • Appropriately use color solutions across different modes of design communication.
    • Understand how furnishings, objects, materials, and finishes work together to support the design intent.
    • Understand typical fabrication, installation methods, and maintenance requirements.
    • Understand appropriate design or specification of products and materials in relation to project criteria and human and environmental wellbeing.
    • Select and apply products and materials on the basis of their properties and performance criteria, including ergonomics, environmental attributes, life safety, and life cycle cost.
    • Understand how design solutions affect and are impacted by vertical and horizontal systems of transport and circulation such as stairs, elevators, or escalators.
    • Recognize the origins and intent of laws, codes, and standards.

    IDSD 2860 Course Learning Outcome Rubric  

    Required Textbooks:
    Residential Design Studio - ISBN: 9781563678417

    Designing for Privacy + Related Needs - ISBN: 9781563673405

Credits: 3
  
  • IDSD 2870 - Sustainable Holistic Design


    Credits: 3

    This sophomore-level course provides students with an in-depth understanding and working application of the theoretical principles and issues related to environmental behavior and sustainability as a part of ethical design practice. Emphasis is on industry-specific research methods and problem-solving strategies using conceptual iterations and collaborative charrettes to apply design theories within the context of critical solution-based project presentations. As part of the Sustainable Design Specialization, coursework must be completed using the sustainable knowledge and strategies obtained to date. Upon successful completion of this course, students will be able to demonstrate their knowledge of human behavioral theory as it applies to a variety of healthy, sustainable, and supportive design types.

    Prerequisites: ID 1230 - Introduction to Sustainable Design  and ID 2840 - Design Process + Planning  

    Notes: (Formerly IDSD 2870 Holistic Design - Sustainable Design)

    The textbook Designing for Privacy + Related Needs is also used in IDSD 2860 and IDSD 4870.




    Course Learning Outcomes:
    • Understand that human and environmental conditions vary according to geographic location and impact design and construction decisions.
    • Understand how social, economic, cultural, and physical contexts inform interior design.
    • Understand how systems thinking informs the practice of interior design.
    • Recognize current and relevant events that are shaping contemporary society and the world.
    • Recognize a variety of cultural norms.
    • Demonstrate multi-cultural awareness.
    • Recognize the integration of multi-disciplinary collaboration in design practice.
    • Understand the dynamics of team collaboration and the distribution and structure of team responsibilities.
    • Demonstrate the ability to effectively collaborate with multiple disciplines in developing design solutions.
    • Define the contexts for interior design practice.
    • Define the components of business practice.
    • Understand professional ethics and conduct.
    • Understand theories related to the impact of the built environment on human experience, behavior, and performance.
    • Understand the relationship between the natural, built, virtual, and technological environments as they relate to the human experience, well-being, behavior, and performance.
    • Gather and apply human- centered evidence.
    • Analyze and synthesize human perception and behavior patterns to inform design solutions.
    • Apply human factors, ergonomics, and universal design principles to design solutions.
    • Apply way finding techniques to design solutions.
    • Apply space planning techniques throughout the design process.
    • Apply knowledge and skills learned to solve progressively complex design problems.
    • Apply knowledge and skills learned to identify and define issues relevant to the design problem.
    • Apply knowledge and skills learned to execute the design process: pre-design, schematic design, and design development.
    • Apply knowledge and skills learned to synthesize information to generate evidence-based design solutions.
    • Apply knowledge and skills learned to design original and creative solutions.
    • Apply knowledge and skills learned to execute the design process: pre-design, quantitative and qualitative programming, schematic design, and design development.
    • Understand the importance of evaluating the relevance and reliability of information and research impacting design solutions.
    • Recognize a range of problem identification and problem-solving methods.
    • Recognize innovation and risk taking.
    • Recognize methods of idea generation and design thinking.
    • Effectively interpret and communicate data and research.
    • Effectively express ideas and their rationale in written communication.
    • Effectively express ideas developed in the design process through visual media: ideation drawings and sketches.
    • Effectively express project solutions using a variety of visual communication techniques and technologies appropriate to a range of purposes and audiences.
    • Demonstrate active listening skills in the context of professional collaboration.
    • Understand the elements and principles of design, including spatial definition and organization.
    • Demonstrate the ability to explore a range of two- and three-dimensional design solutions using a variety of media.
    • Effectively apply the elements and principles of design and related theories throughout the interior design curriculum to two-dimensional design solutions.
    • Effectively apply the elements and principles of design and related theories throughout the interior design curriculum to three-dimensional design solutions.
    • Understand color terminology.
    • Understand color principles, theories, and systems.
    • Understand color in relation to materials, textures, light, and form.
    • Appropriately select and apply color to support design concepts.
    • Appropriately select and apply color to multiple design functions.
    • Appropriately use color solutions across different modes of design communication.
    • Understand how furnishings, objects, materials, and finishes work together to support the design intent.
    • Understand the principles of indoor air quality.
    • Understand how the selection and application of products and systems impact indoor air quality.

    IDSD 2870 Course Learning Outcome Rubric  

     

    Required Textbooks:
    Environmental Psychology for Design - ISBN: 9781501321801

    Designing for Privacy + Related Needs - ISBN: 9781563673405
    Required Course Materials:

    • Drawing Media-drafting pencils and pens
    • Rolls of trace paper (“bum wad” or “trash”)
    • Scale
    • Straight edge
    • Sketchbook
    • Model making materials-paper, glue, tape, x-acto knife and blades, matte board, chipboard, cardboard, etc.
    • Drafting Tools
    • Markers
    • Vellum
    • Computer-drafting and adobe suite programs

Credits: 3
  
  • IDSD 3200 - Sustainable Design Strategies + Technologies


    Credits: 3

    Students must enroll in this course to meet the requirements of the Sustainable Design Specialization. This junior-level course builds upon the foundations of sustainable design principles and processes developed in previous courses by challenging students to further develop and apply their understanding of the environmental, social, and economical impacts of resource use; design strategies; and building technologies to a variety of design applications. Emphasis is on thinking critically about the interdependence of sustainability issues and strengthening problem-solving and communication skills through in-depth analysis of sustainable design procedures as they apply to high performance buildings using collaborative, research-based application of strategies and performance-based specifications, as well as a variety of third-party sustainable design rating systems. Coursework must be completed using the sustainable knowledge and strategies obtained to date. Upon successful completion of this course, students will be able to analyze and apply industry recognized sustainable design strategies and approaches using appropriate LEED and other Sustainable Design rating systems within residential and commercial design projects.

    Prerequisites: ID 2530 - Building Codes + Regulations , and IDSD 2870 - Sustainable Holistic Design  

    Notes: (Formerly IDSD 2870 Holistic Design - Sustainable Design)

    The textbooks Biophilic Design: The Theory, Science + Practice of Bringing Buildings to Life and Green Studio Handbook, 2nd Edition are also used in IDSD 4200.




    Course Learning Outcomes:
    Interior Design learning outcomes are governed by the Council for Interior Design Accreditation (CIDA) Professional Standards found at https://accredit-id.org/professional-standards/. Each course in the RMCAD Interior Design program addresses multiple CIDA standards. 

    • Develop a comprehensive interior design project based on project intent, instructor guidance and in accordance with the CIDA indicators provided for this course.
    • Conduct research and develop sustainable design strategies for existing spaces and new projects.
    • Analyze and research-built projects that address sustainable design through high tech and low-tech strategies and budget parameters.
    • Identify and qualify sustainable products and processes in order to develop effective design solutions.
    • Conduct a “green analysis” of an existing commercial building and make recommendations for effective sustainable changes.
    • Develop a working knowledge of how sustainable design principles, processes and products may be integrated effectively into the design of the built environment.
    • Explore how Need for Nature Theories may be used as a premise for the design of the built environment in order to maintain optimum physical and emotional health and well-being.
    • Analyze Green Design issues from all angles in an effort to increase the likelihood of making choices that are best for each individual project.


    Required Textbooks:
    Biophilic Design: The Theory, Science + Practice of Bringing Buildings to Life - ISBN: 9780470163344

    The Green Studio Handbook - ISBN: 9780080890524

Credits: 3
  
  • IDSD 3845 - Sustainable Hospitality Design


    Credits: 3

    This junior-level studio course introduces students to the physical, psychological, cultural, and social considerations of designing hospitality spaces using collaborative approaches and research methods. Students integrate this knowledge with space planning strategies, brand development, life safety codes and standards; and furniture, finish, and equipment specifications from a design development and presentation perspective. As part of the Sustainable Design Specialization, coursework must be completed using the sustainable knowledge and strategies obtained to date. Upon successful completion of this course, students will have the ability to formulate and communicate a comprehensive design for a hospitality environment based on research integration for human needs.

    Prerequisites: ID 2530 - Building Codes + Regulations  and IDSD 2870 - Sustainable Holistic Design  

    Notes: (Formerly IDSD 3845 Hospitality Design - Sustainable Design, ID 3860 Hospitality Design - Sustainable Design)


    Course Learning Outcomes:
    • Understand how social, economic, cultural, and physical contexts inform interior design.
    • Understand how systems thinking informs the practice of interior design.
    • Recognize current and relevant events that are shaping contemporary society and the world.
    • Recognize a variety of cultural norms.
    • Demonstrate multi-cultural awareness.
    • Understand technologically- based collaboration methods specific to the problem-solving process for built environment disciplines.
    • Understand the dynamics of team collaboration and the distribution and structure of team responsibilities.
    • Demonstrate the ability to effectively collaborate with multiple disciplines in developing design solutions.
    • Define the contexts for interior design practice.
    • Define the impact of a global market on design practices.
    • Understand the instruments of service such as contract documents, transmittals, schedules, budgets, and specifications.
    • Engage in career opportunities an interior design education can afford and the options for advanced study.
    • Understand theories related to the impact of the built environment on human experience, behavior, and performance.
    • Understand the relationship between the natural, built, virtual, and technological environments as they relate to the human experience, well being, behavior, and performance.
    • Gather and apply human- centered evidence.
    • Apply human factors, ergonomics, and universal design principles to design solutions.
    • Apply space planning techniques throughout the design process.
    • Apply knowledge and skills learned to solve progressively complex design problems.
    • Apply knowledge and skills learned to identify and define issues relevant to the design problem.
    • Apply knowledge and skills learned to execute the design process: pre-design, schematic design, and design development.
    • Apply knowledge and skills learned to synthesize information to generate evidence-based design solutions.
    • Apply knowledge and skills learned to design original and creative solutions.
    • Apply knowledge and skills learned to execute the design process: pre-design, quantitative and qualitative programming, schematic design, and design development.
    • Understand the importance of evaluating the relevance and reliability of information and research impacting design solutions.
    • Recognize a range of problem identification and problem-solving methods.
    • Recognize innovation and risk taking.
    • Recognize methods of idea generation and design thinking.
    • Effectively interpret and communicate data and research.
    • Effectively express ideas and their rationale in written communication.
    • Effectively express ideas developed in the design process through visual media: ideation drawings and sketches.
    • Effectively express project solutions using a variety of visual communication techniques and technologies appropriate to a range of purposes and audiences.
    • Recognize evolving communication technologies.
    • Demonstrate active listening skills in the context of professional collaboration.
    • Understand the elements and principles of design, including spatial definition and organization.
    • Demonstrate the ability to explore a range of two- and three-dimensional design solutions using a variety of media.
    • Effectively apply the elements and principles of design and related theories throughout the interior design curriculum to two-dimensional design solutions.
    • Effectively apply the elements and principles of design and related theories throughout the interior design curriculum to three-dimensional design solutions.
    • Recognize the environmental impact of illumination strategies and decisions.
    • Understand the principles of natural and artificial lighting design.
    • Recognize a range of sources for information and research about color.
    • Understand how light and color in the interior environment impact health, safety, and well being.
    • Understand color terminology.
    • Understand color principles, theories, and systems.
    • Understand color in relation to materials, textures, light, and form.
    • Appropriately select and apply color to support design concepts.
    • Appropriately select and apply color to multiple design functions.
    • Appropriately use color solutions across different modes of design communication.
    • Understand how furnishings, objects, materials, and finishes work together to support the design intent.
    • Understand appropriate design or specification of products and materials in relation to project criteria and human and environmental well being.
    • Select and apply products and materials on the basis of their properties and performance criteria, including ergonomics, environmental attributes, life safety, and life cycle cost.
    • Design and specify a broad range of appropriate products, materials, objects, and elements in support of the design intent.
    • Understand the principles of acoustical design.
    • Understand appropriate strategies for acoustical control.
    • Recognize the environmental impact of construction.
    • Understand how design solutions affect and are impacted by base-building structural systems and construction methods.
    • Recognize the origins and intent of laws, codes, and standards.
    • Understand standards and guidelines related to sustainability and wellness.

    IDSD 3845 Course Learning Outcome Rubric  

    Required Textbooks:
    Designing Commercial Interiors, 2nd Edition - ISBN: 9780471723493

    Hotel Design, Planning, + Development, 2nd Edition - ISBN: 9780393733853
    Required Course Materials:

    • Roll of Trash/trace paper (“bum wad”)
    • Drawing media (pens. Pencils, sharpies)
    • Scale
    • Straight Edge
    • Sketchbook
    • Model making materials-paper, glue, tape, x-acto knife and blades, matte board, chipboard, cardboard, ect
    • Drafting tools
    • Markers
    • Vellum
    • AutoCAD and Adobe suite and Revit

Credits: 3
  
  • IDSD 3870 - Sustainable Office Design


    Credits: 3

    Students in this junior-level studio course gain the technical and practical knowledge and skills necessary to design large-scale work environments based on human productivity and business organizations and their goals. Emphasis is on advanced programming, space planning, furniture, finish and equipment specification, and building system integration while adhering to fire and safety codes and ADA requirements as part of design development and presentation. As part of the Sustainable Design Specialization, coursework must be completed using the sustainable knowledge and strategies obtained to date. Upon successful completion of this course, students will have the ability to formulate and communicate a comprehensive design for a work environment based on research and advanced problem-solving strategies.

    Prerequisites: ID 3715 - Building Information Modeling: Revit , ID 3530 - Lighting Layout + Design , IDSD 2870 - Sustainable Holistic Design  

    Notes: (Formerly IDSD 3870 Office Design - Sustainable Design, ID 3810 Office Design - Sustainable Design)


    Course Learning Outcomes:
    • Define the contexts for interior design practice.
    • Engage with role models who are qualified by education and experience in interior design.
    • Understand theories related to the impact of the built environment on human experience, behavior, and performance.
    • Analyze and synthesize human perception and behavior patterns to inform design solutions.
    • ID5 DESIGN PROCESS- Apply all aspects of the design process to creatively solve a design problem.
    • Apply space planning techniques throughout the design process.
    • Apply knowledge and skills learned to solve progressively complex design problems.
    • Apply knowledge and skills learned to identify and define issues relevant to the design problem.
    • Apply knowledge and skills learned to execute the design process: pre-design, schematic design, and design development.
    • Apply knowledge and skills learned to synthesize information to generate evidence-based design solutions.
    • Apply knowledge and skills learned to design original and creative solutions.
    • Apply knowledge and skills learned to execute the design process: pre-design, quantitative and qualitative programming, schematic design, and design development.
    • Understand the importance of evaluating the relevance and reliability of information and research impacting design solutions.
    • Recognize a range of problem identification and problem solving methods.
    • Recognize innovation and risk taking.
    • Recognize methods of idea generation and design thinking.
    • Effectively interpret and communicate data and research.
    • Effectively express ideas and their rationale in oral communication.
    • Effectively express ideas and their rationale in written communication.
    • Effectively express ideas developed in the design process through visual media: ideation drawings and sketches.
    • Effectively express project solutions using a variety of visual communication techniques and technologies appropriate to a range of purposes and audiences.
    • Understand the elements and principles of design, including spatial definition and organization.
    • Demonstrate the ability to explore a range of two- and three-dimensional design solutions using a variety of media.
    • Effectively apply the elements and principles of design and related theories throughout the interior design curriculum to three-dimensional design solutions.
    • Recognize the environmental impact of illumination strategies and decisions.
    • Understand the principles of natural and artificial lighting design.
    • Understand strategies for using and modulating natural light.
    • Competently select and apply luminaires and light sources.
    • Appropriately use color solutions across different modes of design communication.
    • Understand how furnishings, objects, materials, and finishes work together to support the design intent.
    • Select and apply products and materials on the basis of their properties and performance criteria, including ergonomics, environmental attributes, life safety, and life cycle cost.
    • Design and specify a broad range of appropriate products, materials, objects, and elements in support of the design intent.
    • Recognize the environmental impact of construction.
    • Understand how design solutions affect and are impacted by base-building structural systems and construction methods.
    • Understand how design solutions affect and are impacted by interior systems, construction, and installation methods.
    • Understand how design solutions affect and are impacted by detailing and specification of interior construction materials, products, and finishes.
    • Understand how design solutions affect and are impacted by the integration of building systems including electrical (such as power, data, lighting, telecommunications, audio visual) and mechanical (such as HVAC, plumbing, and sprinklers).
    • Understand how design solutions affect and are impacted by monitoring systems pertaining to energy, security, and building controls systems.
    • Understand how design solutions affect and are impacted by vertical and horizontal systems of transport and circulation such as stairs, elevators, or escalators.
    • Understand the formats, components, and accepted standards for an integrated and comprehensive set of interior construction documents.
    • Read and interpret base- building construction documents.
    • Contribute to the production of interior contract documents including drawings, detailing, schedules, and specifications appropriate to project size and scope.
    • Recognize the origins and intent of laws, codes, and standards.
    • Understand standards and guidelines related to sustainability and wellness.
    • Understand sector-specific regulations and guidelines related to construction, products, and materials.
    • Apply federal, state/provincial, and local codes including fire and life safety.
    • Apply barrier-free and accessibility regulations and guidelines.

    IDSD 3870 Course Learning Outcome Rubric  

     

    Required Textbooks:
    Space Planning for Commercial Office Interiors - ISBN: 9781563679056

    Codes Guidebook for Interiors - ISBN: 9780470592090
    Required Course Materials:

    • (3) Ring binder
    • Basic drafting equipment and /or AutoCAD/Revit
    • Roll of trace paper
    • Redlining pens

Credits: 3
  
  • IDSD 4200 - Sustainable Design Studio


    Credits: 3

    Students in this junior-level course gain the technical and practical knowledge and skills necessary to design large-scale work environments based on human productivity and business organizations and their goals. Emphasis is on advanced programming, space planning, furniture, finish and equipment specification, and building system integration while adhering to fire and safety codes and ADA requirements as part of design development and presentation. As part of the Sustainable Design Specialization, coursework must be completed using the sustainable knowledge and strategies obtained to date. Upon successful completion of this course, students will have the ability to formulate and communicate a comprehensive design for a work environment based on research and advanced problem-solving strategies.

    Prerequisites: IDSD 3200 - Sustainable Design Strategies + Technologies , and IDSD 3845 - Sustainable Hospitality Design  

    Notes: The textbooks Biophilic Design: The Theory, Science + Practice of Bringing Buildings to Life and Green Studio Handbook, 2nd Edition are also used in IDSD 3200.


    Course Learning Outcomes:
    • Apply knowledge and skills learned to solve progressively complex design problems.
    • Apply knowledge and skills learned to identify and define issues relevant to the design problem.
    • Understand the importance of evaluating the relevance and reliability of information and research impacting design solutions.
    • Recognize the environmental impact of illumination strategies and decisions.
    • Understand how light and color in the interior environment impact health, safety, and wellbeing.
    • Understand how furnishings, objects, materials, and finishes work together to support the design intent.
    • Understand that design decisions relating to acoustics, thermal comfort, and indoor air quality impact human wellbeing and the environment.
    • Understand the principles of indoor air quality.
    • Understand how the selection and application of products and systems impact indoor air quality.
    • Recognize the environmental impact of construction.
    • Understand how design solutions affect and are impacted by base-building structural systems and construction methods.
    • Understand how design solutions affect and are impacted by interior systems, construction, and installation methods.
    • Understand how design solutions affect and are impacted by detailing and specification of interior construction materials, products, and finishes.
    • Understand how design solutions affect and are impacted by the integration of building systems including electrical (such as power, data, lighting, telecommunications, audio visual) and mechanical (such as HVAC, plumbing, and sprinklers).
    • Understand how design solutions affect and are impacted by monitoring systems pertaining to energy, security, and building controls systems.
    • Understand how design solutions affect and are impacted by vertical and horizontal systems of transport and circulation such as stairs, elevators, or escalators.

    IDSD 4200 Course Learning Outcome Rubric  

    Required Textbooks:
    Biophilic Design: The Theory, Science + Practice of Bringing Buildings to Life - ISBN: 9780470163344

    Sun, Wind, + Light : Architecture Design Strategies, 3rd Edition - ISBN: 9780470945780

    Green Studio Handbook, 2nd Edition - ISBN: 9780080890524

Credits: 3
  
  • IDSD 4250 - Sustainable Design Senior Portfolio Review


    Credits: 0

    Students in this senior-level course gain the technical and practical knowledge and skills necessary to design large-scale work environments based on human productivity and business organizations and their goals. Emphasis is on advanced programming, space planning, furniture, finish and equipment specification, and building system integration while adhering to fire and safety codes and ADA requirements as part of design development and presentation. As part of the Sustainable Design Specialization, coursework must be completed using the sustainable knowledge and strategies obtained to date. Upon successful completion of this course, students will have the ability to formulate and communicate a comprehensive design for a work environment based on research and advanced problem-solving strategies.

    Prerequisites: IDSD 4200 - Sustainable Design Studio  

    Corequisites: IDSD 4882 - Senior Project II: Sustainable Design Project  

    Notes: (Formerly ID 3810 Sustainable Design Senior Portfolio Review)

    The textbook Portfolios for Interior Designers: A Guide to Portfolios, Creative Resumes, + the Job Search is also used in ID4000.




    Course Learning Outcomes:
    • GLOBAL CONTEXT Apply a global view and consider social, cultural, economic, and ecological contexts in all aspects of their work.
    • COLLABORATION Collaborate and participate in interdisciplinary teams.
    • BUSINESS PRACTICES + PROFESSIONALISM Understand the principles and processes that define the profession and the value of interior design to society.
    • HUMAN-CENTERED DESIGN Apply knowledge of human experience and behavior to designing the built environment.
    • DESIGN PROCESS Apply all aspects of the design process to creatively solve a design problem.
    • COMMUNICATION Demonstrate effective and polished written and oral communication skills.
    • HISTORY + THEORY Apply knowledge of the history of interiors, architecture, decorative arts, and art to design work.
    • DESIGN ELEMENTS + PRINCIPLES Apply elements and principles of design.
    • LIGHT + COLOR Apply the principles and theories of light and color effectively in relation to environmental impact and human wellbeing.
    • PRODUCTS + MATERIALS Create design solutions that integrate furnishings, products, materials, and finishes.
    • ENVIRONMENTAL SYSTEMS + HUMAN WELLBEING Apply the principles of acoustics, thermal comfort, indoor air quality and water and waste management in relation to environmental impact and human well-being.
    • CONSTRUCTION Understand interior construction and its interrelationship with base building construction and systems.
    • REGULATIONS + GUIDELINES Apply laws, codes, standards, and guidelines that impact human experience of interior spaces.

    IDSD 4250 Course Learning Outcome Rubric  

     

    Required Textbooks:
    Design Portfolios: Presentation & Marketing for Interior Designers - ISBN: 9781501317248

    Portfolios for Interior Designers: A Guide to Portfolios, Creative Resumes, + the Job Search - ISBN: 9780470408162

Credits: 0
  
  • IDSD 4870 - Sustainable Special Use Design


    Credits: 3

    This senior-level studio course emphasizes the development of complex building types and mixed-use occupancies for users with special needs. Students apply knowledge of contemporary issues in the built environment based on research strategies including human behavior, evidence-based design, socioeconomic, cultural, and age-related criteria. As part of the Sustainable Design Specialization, coursework must be completed using the sustainable knowledge and strategies obtained to date. Upon successful completion of this course, students will demonstrate advanced abilities to plan and implement design solutions for complex design problems using a variety of communication methods.

    Prerequisites: IDSD 3870 - Sustainable Office Design  

    Notes: (Formerly IDSD 4870 Special Use Design - Sustainable Design)

    The textbook Designing for Privacy + Related Needs is also used in IDSD 2860 and IDSD 2870.




    Course Learning Outcomes:
    • Understand that human and environmental conditions vary according to geographic location and impact design and construction decisions.
    • Understand how social, economic, cultural, and physical contexts inform interior design.
    • Understand how systems thinking informs the practice of interior design.
    • Recognize current and relevant events that are shaping contemporary society and the world.
    • Understand theories related to the impact of the built environment on human experience, behavior, and performance.
    • Gather and apply human-centered evidence.
    • Analyze and synthesize human perception and behavior patterns to inform design solutions.
    • Apply human factors, ergonomics, and universal design principles to design solutions.
    • Apply way-finding techniques to design solutions.
    • Apply space planning techniques throughout the design process.
    • Apply knowledge and skills learned to solve progressively complex design problems.
    • Apply knowledge and skills learned to identify and define issues relevant to the design problem.
    • Apply knowledge and skills learned to execute the design process: pre-design, schematic design, and design development.
    • Apply knowledge and skills learned to synthesize information to generate evidence-based design solutions.
    • Apply knowledge and skills learned to design original and creative solutions.
    • Apply knowledge and skills learned to execute the design process: pre-design, quantitative and qualitative programming, schematic design, and design development.
    • Understand the importance of evaluating the relevance and reliability of information and research impacting design solutions.
    • Recognize innovation and risk taking.
    • Recognize methods of idea generation and design thinking.
    • Effectively interpret and communicate data and research.
    • Effectively express ideas and their rationale in oral communication.
    • Effectively express ideas and their rationale in written communication.
    • Effectively express ideas developed in the design process through visual media: ideation drawings and sketches.
    • Effectively express project solutions using a variety of visual communication techniques and technologies appropriate to a range of purposes and audiences.
    • Understand the elements and principles of design, including spatial definition and organization.
    • Demonstrate the ability to explore a range of two- and three-dimensional design solutions using a variety of media.
    • Effectively apply the elements and principles of design and related theories throughout the interior design curriculum to two-dimensional design solutions.
    • Effectively apply the elements and principles of design and related theories throughout the interior design curriculum to three-dimensional design solutions.
    • Recognize the environmental impact of illumination strategies and decisions.
    • Understand the principles of natural and artificial lighting design.
    • Understand strategies for using and modulating natural light.
    • Competently select and apply luminaires and light sources.
    • Recognize a range of sources for information and research about color.
    • Understand how light and color in the interior environment impact health, safety, and well-being.
    • Understand color terminology.
    • Appropriately select and apply color to support design concepts.
    • Appropriately select and apply color to multiple design functions.
    • Understand how furnishings, objects, materials, and finishes work together to support the design intent.
    • Understand typical fabrication, installation methods, and maintenance requirements.
    • Understand appropriate design or specification of products and materials in relation to project criteria and human and environmental well-being.
    • Select and apply products and materials on the basis of their properties and performance criteria, including ergonomics, environmental attributes, life safety, and life cycle cost.
    • Design and specify a broad range of appropriate products, materials, objects, and elements in support of the design intent.
    • Understand that design decisions relating to acoustics, thermal comfort, and indoor air quality impact human well-being and the environment.
    • Understand the principles of acoustical design.
    • Understand appropriate strategies for acoustical control.
    • Understand the principles of thermal design.
    • Understand the principles of indoor air quality.
    • Understand how the selection and application of products and systems impact indoor air quality.
    • Understand how design solutions affect and are impacted by monitoring systems pertaining to energy, security, and building controls systems.
    • Understand how design solutions affect and are impacted by vertical and horizontal systems of transport and circulation such as stairs, elevators, or escalators.
    • Understand the formats, components, and accepted standards for an integrated and comprehensive set of interior construction documents.
    • Read and interpret base-building construction documents.
    • Contribute to the production of interior contract documents including drawings, detailing, schedules, and specifications appropriate to project size and scope.
    • Recognize the origins and intent of laws, codes, and standards.
    • Understand standards and guidelines related to sustainability and wellness.
    • Understand sector-specific regulations and guidelines related to construction, products, and materials.
    • Apply federal, state/provincial, and local codes including fire and life safety.

    IDSD 4870 Course Learning Outcome Rubric  

    Required Textbooks:
    Designing for Privacy + Related Needs - ISBN: 9781563673405

    Building Type Basics for Senior Living - ISBN: 9781118007457
    Required Course Materials:

    • Roll of trace paper
    • Scale
    • Sharpies

Credits: 3
  
  • IDSD 4881 - Senior Project I: Sustainable Design Research


    Credits: 2

    In the first of the three-part senior project sequence, students will develop an understanding of research methodologies and information gathering for application to their senior design project. Emphasis is on the compilation and analysis of research critical to the identification of specific problems using evidence-based design strategies within sociocultural, behavioral, historical, and environmental systems contexts. Upon successful completion of this course, students will have researched, compiled, and analyzed all information relevant to their senior design project and developed preliminary design concepts for the beginning application of research for their commercial project. The students will complete an organized professional reference source that includes a detailed project proposal, programming analysis, and preliminary schematics defending the project proposal.

    Prerequisites: IDSD 3845 - Sustainable Hospitality Design , IDSD 3870 - Sustainable Office Design , ID 3715 - Building Information Modeling: Revit  

    Notes: (Formerly IDSD 4840 Design Research - Sustainable Design)
    The textbook Interior Designer’s Portable Handbook is also used in IDSD 4882.


    Course Learning Outcomes:
    • Understand theories related to the impact of the built environment on human experience, behavior, and performance.
    • Gather and apply human- centered evidence.
    • Analyze and synthesize human perception and behavior patterns to inform design solutions.
    • Demonstrate active listening skills in the context of professional collaboration.
    • Recognize a range of sources for information and research about color.
    • Understand how light and color in the interior environment impact health, safety, and wellbeing.
    • Understand color terminology.
    • Understand appropriate design or specification of products and materials in relation to project criteria and human and environmental wellbeing.
    • Design and specify a broad range of appropriate products, materials, objects, and elements in support of the design intent.
    • Recognize the origins and intent of laws, codes, and standards.
    • Understand standards and guidelines related to sustainability and wellness.
    • Understand sector-specific regulations and guidelines related to construction, products, and materials.
    • Apply federal, state/provincial, and local codes including fire and life safety.
    • Apply barrier-free and accessibility regulations and guidelines.

    IDSD 4881 Course Learning Outcome Rubric  

    Required Textbooks:
    Evidence Based Design: A Process for Research and Writing by DAK Kopec ISBN: 9780132174060

    Interior Designer’s Portable Handbook, 3rd Edition - ISBN: 9780071782067
    Required Course Materials:

    • Roll of Trash/trace paper (“bum wad”)
    • Digital Camera
    • Drawing media (pens. Pencils, sharpies)
    • Scale
    • Basic drafting equipment and /or AutoCAD/Revit

Credits: 2
  
  • IDSD 4882 - Senior Project II: Sustainable Design Project


    Credits: 3

    In the second of the three-part senior project sequence, students develop and present a comprehensive design project of individual interest in this course. Emphasis is on the application of research completed in the Design Research course to a commercial project that entails all aspects of skill, knowledge, and creative problem solving acquired to date. The project must meet the program’s guidelines and departmental approval. As part of the Sustainable Design Specialization, coursework must be completed using the sustainable knowledge and strategies obtained to date. Upon successful completion of this course, students will demonstrate the ability to complete a comprehensive design project illustrating all of their skills and knowledge as pre-professionals while taking ownership of their individual vision as designers.

    Prerequisites: IDSD 4881 - Senior Project I: Sustainable Design Research  

    Corequisites: IDSD 4250 - Sustainable Design Senior Portfolio Review  or ID 4000 - Interior Design Senior Portfolio Review  

    Notes: (Formerly IDSD 4990 Senior Design Project - Sustainable Design)

    The textbook Interior Designer’s Portable Handbook is also used in IDSD 4881.




    Course Learning Outcomes:
    • Understand that human and environmental conditions vary according to geographic location and impact design and construction decisions.
    • Understand how social, economic, cultural, and physical contexts inform interior design.
    • Understand how systems thinking informs the practice of interior design.
    • Recognize current and relevant events that are shaping contemporary society and the world.
    • Understand the terminology and language necessary to communicate effectively with members of allied disciplines.
    • Define the breadth and depth of interior design’s impact and value.
    • Understand the relationship between the natural, built, virtual, and technological environments as they relate to the human experience, well being, behavior, and performance.
    • Apply human factors, ergonomics, and universal design principles to design solutions.
    • Apply way finding techniques to design solutions.
    • Apply space planning techniques throughout the design process.
    • Apply knowledge and skills learned to solve progressively complex design problems.
    • Apply knowledge and skills learned to identify and define issues relevant to the design problem.
    • Apply knowledge and skills learned to execute the design process: pre-design, schematic design, and design development.
    • Apply knowledge and skills learned to synthesize information to generate evidence-based design solutions.
    • Apply knowledge and skills learned to design original and creative solutions.
    • Apply knowledge and skills learned to execute the design process: pre-design, quantitative and qualitative programming, schematic design, and design development.
    • Understand the importance of evaluating the relevance and reliability of information and research impacting design solutions.
    • Recognize a range of problem identification and problem solving methods.
    • Recognize innovation and risk taking.
    • Effectively interpret and communicate data and research.
    • Effectively express ideas and their rationale in oral communication.
    • Effectively express ideas and their rationale in written communication.
    • Effectively express ideas developed in the design process through visual media: ideation drawings and sketches.
    • Effectively express project solutions using a variety of visual communication techniques and technologies appropriate to a range of purposes and audiences.
    • Recognize evolving communication technologies.
    • Demonstrate active listening skills in the context of professional collaboration.
    • Understand the basic context and framework of history as it relates to Interior Design.
    • Understand the basic context and framework of history as it relates to furniture, decorative arts, and material culture
    • Apply knowledge and skills learned to explore and iterate multiple ideas.
    • Understand the basic context and framework of history as it relates to architecture.
    • Understand the basic context and framework of history as it relates to art.
    • Understand the elements and principles of design, including spatial definition and organization.
    • Demonstrate the ability to explore a range of two- and three-dimensional design solutions using a variety of media.
    • Effectively apply the elements and principles of design and related theories throughout the interior design curriculum to two-dimensional design solutions.
    • Effectively apply the elements and principles of design and related theories throughout the interior design curriculum to three-dimensional design solutions.
    • Recognize the environmental impact of illumination strategies and decisions.
    • Understand the principles of natural and artificial lighting design.
    • Understand strategies for using and modulating natural light.
    • Competently select and apply luminaires and light sources.
    • Understand color principles, theories, and systems.
    • Understand how furnishings, objects, materials, and finishes work together to support the design intent.
    • Understand typical fabrication, installation methods, and maintenance requirements.
    • Understand appropriate design or specification of products and materials in relation to project criteria and human and environmental well being.

    IDSD 4882 Course Learning Outcome Rubric  

    Required Textbooks:
    Interior Designer’s Portable Handbook, 3rd Edition - ISBN: 9780071782067
    Required Course Materials:

    • Roll of Trash/trace paper (“bum wad”)
    • Digital Camera
    • Drawing media (pens. Pencils, sharpies)
    • Scale
    • Basic drafting equipment and /or AutoCAD/Revit

Credits: 3

Illustration

  
  • IL 1000 - Freshman Drawing Portfolio for Illustrators


    Credits: 0

    The Illustration Department has a unique drawing requirement for first-year Illustration students. Beginning in their fourth term, each student will submit a drawing portfolio that demonstrates their technical control and drawing ability. This portfolio is composed of a sketchbook and a handful of drawings, that may include still life renderings, figure drawings, and/or perspective drawings. The department partners with the foundations program and offers course projects, activities, demos, and events to help students prepare their portfolio. Upon successful completion of this course, students will submit a portfolio that showcases their drawing skills, the ability to communicate realistic form and value within a composition, the ability to depict accurate human proportions, and an understanding of line and linear perspective. 

    Notes: This course is pass/fail.  Students who do not pass the review must register for the course again, revise their work and resubmit their portfolio during their 5th or 6th terms.


    Course Learning Outcomes:
    • Communicate realistic form and value structure within a composition. 
    • Depict accurate human proportions.
    • Use linear perspective to communicate an accurate sense of space and depth.

    IL 1000 Course Learning Outcome Rubric  

Credits: 0
  
  • IL 1225 - Fundamentals of Illustration


    Credits: 3

    This freshman-level course deepens and reinforces a student’s understanding of the fundamentals of Illustration. Through a series of projects, research, and experiences students develop greater technical, creative, and visual abilities.  This course is designed to challenge students as they develop high levels of technical ability in drawing, rendering, surface preparation, control of the medium, and presentation. Creative ability is increased as students develop extensive strategies for ideation, understand context and meaning, and go beyond reference to create unique ideas and images. Finally, students expand their visual knowledge by developing the ability to write about visual work, employ visual thinking strategies, and recognize (and create) effective design. Upon successful conclusion of this course, students will have established a solid foundation of the technical, creative, and visual skills of an illustrator.

    Prerequisites: None

    Notes: (Formerly IL1020 Mastering the Pencil)


    Course Learning Outcomes:
    • Develop technical ability in drawing, rendering, and presentation. 
    • Implement the design process and ideation strategies to develop well-designed ideas. 
    • Expand visual knowledge and the ability to recognize effective design.

    IL 1225 Course Learning Outcome Rubric  

    Required Textbooks:
    None
    Required Course Materials:

    • Sketchbook, and or Notebook for research
    • Pencils (a wide range from the Hs to the Bs)
    • Eraser (kneaded, and or electric)
    • Tracing paper (suggested size 11x17)
    • Camera (for photo reference) 
    • Props, models, maquettes 
    • Artist tape (black is preferred, also used for presentation) 
    • Photocopier/Printer/Scanner (available on campus) 
    • Straight edge/Ruler
    • Charcoal (B Pencils)
    • Transfer paper (Graphite, not carbon copy) OR Lighter fluid/Soft rag
    • Gesso
    • Board cut to size (wooden panel) OR Heavy Weight, Cold Press, Illustration Board (Crescent 110) 
    • Acrylic paints 5+
    • Stay-wet palette system
    • Brushes: 5+
    • Clean up rags OR Paper Towels
    • Water container
    • Retarder medium (optional)
    • Spray bottle (this will help a lot)
    • Palette Knife (optional) 
    • Mat board
    • Foam core 

Credits: 3
  
  • IL 1510 - Perspective


    Credits: 3

    This freshman-level course establishes the basic knowledge necessary for advanced perspective drawing through a series of lectures, demonstrations, exercises and studio projects. Upon successful completion of this course, students will have finished a series of drawing projects that show the application of one, two, and three-point perspective, and that require the student to substantiate their mastery of the principles involved in accurate three-dimensional construction from a particular viewpoint.

    Prerequisites: FD 1235 - Observational Drawing  

    Notes: (Formerly FD1510 Perspective)


    Course Learning Outcomes:
    • Demonstrate the principles and tools involved in three-dimensional construction from a particular viewpoint.
    • Define and use key terms in the study of perspective.
    • Demonstrate an understanding of perspective through exercises and studio projects, using a combination of freehand drawings and digital applications.

    IL 1510 Course Learning Outcome Rubric   

    Required Textbooks:
    ON-CAMPUS: Basic Perspective Drawing, A Visual Approach - ISBN: 978-1118134146
    Required Course Materials:

    • Ruler
    • Spray Fix
    • Sketchbook
    • Tracing Paper Pad and/or Drafting Film
    • Masking Tape
    • Graphite Pencils (1-4)
    • Large Pad (Sketch)
    • India Ink
    • erasers (kneaded, magic rub);
    • Drawing Paper (Specialty)
    • Digital Camera/Smart Phone
    • Drafting Tools (T-Square, Triangle, etc)

    **Materials may vary depending on the instructor, make sure to check with your professor before purchasing.

Credits: 3
  
  • IL 2520 - Illustration Media


    Credits: 3

    Students explore a variety of media that are particularly effective for illustrators working with deadlines. The emphasis of this course is experimentation with innovative techniques using both water-based and oil media to discover new ways to express their ideas visually. Upon successful completion of this course, the student will have practical usage and application of various drawing and painting media. They will show a curiosity and openness to experimentation in nontraditional solutions. The student will understand efficient methods of creating images that require short deadlines.

    Prerequisites: FD 1120 - Topics in Color  

    Course Learning Outcomes:
    • Explore new media and experiment with alternative surfaces and tools, including digital media.
    • Combine media and drawing styles to create innovative visual images.
    • Apply various media techniques efficiently.

    IL 2520 Course Learning Outcome Rubric   

    Required Course Materials:

    • Exacto Knife & Blades (or Utility Knife)
    • Spray Fix
    • Sketchbook
    • Masking Tape
    • Tracing Paper Pad and/or Drafting Film
    • Graphite Pencils (1-4)
    • India Ink
    • Pen & Ink Pen Nibs Set
    • erasers (kneaded, magic rub);
    • Drawing Extras (blending stump, sandpaper, etc)
    • Gauche Paint (5 or more)
    • Colored Pencils ( qty. 1-4)
    • Plate Bond
    • Illustration Board (5 or more)
    • Watercolor or Acrylic Synthetic Brushes (5 or more)
    • Acrylic Paints (5 or more)
    • Acrylic Pallette
    • Oil Paints (5 or more)
    • Oil or Acryic Mediums (glazing, drying, mixing, etc.)
    • Super Sculpey Modeling Clay (1 lb)
    • Sculpture Hand Tools
    • Sculpture Armature Items (wire, foil, tacks, etc.)
    • Pastel Set (Color)

    **Materials may vary depending on the instructor, make sure to check with your professor before purchasing.

Credits: 3
  
  • IL 2550 - Life Drawing III: Human Anatomy


    Credits: 3

    This course focuses on the anatomy of the human figure. Students improve their understanding of figure drawing through nude studies of the human body and examination of skeletal structures and muscle masses. This figure-drawing course allows students to exercise and develop both observational and constructive drawing skills. Students continue their study of gesture, the effect of light and shade on form, planes, constructive anatomy techniques, and achieving effective proportion through daily drawings of the draped and undraped figure. Character development, pose, composition, and illustrative storytelling themes add interest to the studies. Students use charcoal, conté crayon, inks, and pastels on various drawing surfaces. Upon successful completion of this course students will, in a variety of media, have improved their ability to apply perceptual, geometric/constructive, and anatomical modes to the drawing of the clothed and unclothed human figure, and be able to place figures in a coherent storytelling setting.

    Prerequisites: FD 1380 - Life Drawing II  

    Course Learning Outcomes:
    • Explore the expressive possibilities of the figure through gesture drawings.
    • Apply advanced understanding of chiarascuro, human proportion, and anatomy to accurate figurative & anatomical drawings.
    • Demonstrate observation and constructive drawing methods.
    • Identify all basic anatomical landmarks, structures, and muscles of the body.
    • Apply the expressive possibilities of the figure to large scale drawings using dry media such as conté, pastels, and charcoal.

    IL 2550 Course Learning Outcome Rubric  

    Required Textbooks:
    Classic Human Anatomy - ISBN: 978-0823024155
    Required Course Materials:

    • Exacto Knife & Blades (or Utility Knife)
    • Spray Fix
    • Sketchbook
    • Tracing Paper Pad and/or Drafting Film
    • Graphite Pencils (1-4)
    • Charcoal Pencils or Conte (5 or more)
    • Vine Charcoal
    • Markers, Black & White (1-4)
    • Pastel Set (Color)
    • Drawing Board w/Clips
    • erasers (kneaded, magic rub);
    • Drawing Extras (blending stump, sandpaper, etc)
    • Plate Bond
    • Large Pad (Sketch)
    • Drawing Paper (Specialty)
    • Illustration Board (1-4)
    • Watercolor or Acrylic Synthetic Brushes (5 or more)
    • Painting Extras (rags, towels, pallette knife, etc.) 
    • India Ink

    **Materials may vary depending on the instructor, make sure to check with your professor before purchasing.

Credits: 3
  
  • IL 2560 - Still Life Painting


    Credits: 3

    This sophomore-level course introduces basic painting materials and methods, using the still life as inspiration to develop the student’s perceptual abilities. Students will apply color theory and principles of pictorial composition, and learn methods used historically by artists with similar representational aims. Upon successful completion of this course, using still life methods the student will understand the basics of observational painting materials and methods.

    Prerequisites: FD 1120 - Topics in Color  

    Course Learning Outcomes:
    • Demonstrate the basics of observational painting in acrylic paint, using still life as subject matter.
    • Apply color theory and pictorial composition using materials such as acrylics or oil and methods used historically by artists with similar representational aims.
    • Demonstrate the ability to accurately paint from observation and apply lighting to show texture

    IL 2560 Course Learning Outcome Rubric  

    Required Textbooks:
    ONLINE: DK Art School: An Introduction to Acrylics - ISBN: 9780789432872

    ONLINE: “The North Light Book of Acrylic Painting Techniques” - ISBN: 978-0891345756
    Required Course Materials:

    • Spray Fix
    • Sketchbook
    • Masking Tape
    • Tracing Paper Pad and/or Drafting Film
    • Color Wheel
    • Charcoal Pencils or Conte (1-4)
    • Vine Charcoal
    • Drawing Board w/Clips
    • erasers (kneaded, magic rub) 
    • Illustration Board (1-4)
    • Canvas Boards/Canvas
    • Watercolor or Acrylic Synthetic Brushes (5 or more)
    • Painting Extras (rags, towels, pallette knife, etc.)
    • Acrylic Paints (5 or more)
    • Acrylic Palette
    • Oil or Acrylic Mediums (glazing, drying, mixing, etc.)
    • Brush Cleaner/Thinner
    • Binder, Notebook and/or Plastic Sleeves
    • Viewfinder 

    **Materials may vary depending on the instructor, make sure to check with your professor before purchasing.

Credits: 3
  
  • IL 2575 - Illustration I


    Credits: 3

    This course is the foundation illustration course. Students learn to apply their problem-solving skills to make narrative illustrations in various media, such as pencil, pen and ink, scratchboard, charcoal, and watercolor. Students are challenged to develop finished illustrations through a series of preliminary drawings, which analyze and direct the meaning of the work. Projects challenge the student’s ability to create pictures that communicate to a mass audience with impact and style. Upon successful completion of this course, students will have the knowledge of how professional quality illustrations are produced. They will have an understanding of how to produce preliminary sketches and to develop conceptual solutions. Students will comprehend the methods and steps required in successful compositional arrangements. They will be able to take their ideas and fully render them as a finished work of art.

    Prerequisites: IL 1225 - Fundamentals of Illustration   and FD 2300 - Foundations Sophomore Portfolio Review  

    Notes: (Formerly IL 2570 Basic Illustration)

    The textbook Imaginative Realism: How to Paint What Doesn’t Exist is also used in IL3250, IL3595, and IL4551.




    Course Learning Outcomes:
    • Apply problem-solving methodology such as the use of thumbnails, visual reference, research and ideation to convey a story to an audience.
    • Demonstrate effective use of compositional devices and techniques in creating unique narrative illustrations.
    • Demonstrate technical proficiency in various media.
    • Analyze the visual style of contemporary professional illustrators.

    IL 2575 Course Learning Outcome Rubric  

    Required Textbooks:
    Imaginative Realism: How to Paint What Doesn’t Exist, James Gurney - ISBN: 9780740785504
    Required Course Materials:

    • Ruler
    • Sketchbook
    • Masking Tape
    • Tracing Paper Pad and/or Drafting Film
    • Graphite Pencils (1-4)
    • Charcoal Pencils or Conte (1-4)
    • Markers, Black & White (1-4)
    • India Ink
    • Pen & Ink Pen Nibs Set
    • erasers (kneaded, magic rub)
    • Drawing Extras (blending stump, sandpaper, etc)
    • Illustration Board (1-4)
    • Digital Camera/Smart Phone 

    **Materials may vary depending on the instructor, make sure to check with your professor before purchasing.

Credits: 3
  
  • IL 2710 - Sequential Art I


    Credits: 3

    Students will explore aspects of sequential art, including narrative structure, storyboarding, panel layout, character design, the relationship of text and image, professional practices, and working with design, color, and composition. Upon successful completion of this class, the student will have an understanding of the process of sequential art as well as increased understanding of storytelling, character, and other basic illustration skills.

    Prerequisites: IL 2575 - Illustration I  

    Course Learning Outcomes:
    • Apply the basics processes of sequential illustration, i.e., a series of drawings that tell a story that takes place through time.
    • Implement anatomy, gesture, costume, props, and background into the sequential illustration process.
    • Integrate the basics of perspective into composition for sequential illustration.

    IL 2710 Course Learning Outcome Rubric  

    Required Textbooks:
    ON-CAMPUS: Comics + Sequential Art: Principles + Practices from the Legendary Cartoonist - ISBN: 9780393331264

    ON-CAMPUS: Making Comics: Storytelling Secrets of Comics, Manga + Graphic Novels - ISBN: 9780060780944
    Required Course Materials:

    • Ruler
    • Masking Tape
    • Tracing Paper Pad and/or Drafting Film
    • Graphite Pencils (1-4)
    • Markers, Black & White (1-4)
    • India Ink
    • Pen & Ink Pen Nibs Set erasers (kneaded, magic rub)
    • Plate Bond 

    **Materials may vary depending on the instructor, make sure to check with your professor before purchasing.

Credits: 3
  
  • IL 2715 - Sequential Art II


    Credits: 3

    Sequential Art II is the second half of Sequential Art I. Individual assignments augment the earlier course and extend the practical methods. Upon successful completion of this class, the student should have an increased knowledge of the process needed to complete a comic book project, as well as an increased understanding of storytelling, design, character development, and other basic illustration principles.

    Prerequisites: IL 2710 - Sequential Art I  

    Course Learning Outcomes:
    • Develop a personal language of Sequential Illustration.
    • Practice compositional skills in pencil and ink.
    • Demonstrate advanced skills in sequential art.
    • Research the uses of storytelling techniques in sequential media.
    • Analyze the sequential art industry to identify trends and opportunities. 

    IL 2715 Course Learning Outcome Rubric  

    Required Textbooks:
    Drawing Words and Writing Pictures  ISBN: 9781596431317

    Unnatural Talent: Creating, Printing + Selling Your Comic in the Digital Age - ISBN: 9781493758296
    Required Course Materials:
    Optional Materials based on Student Preference

Credits: 3
  
  • IL 2750 - Life Drawing IV


    Credits: 3

    This course focuses on the anatomy of the human figure. Students improve their understanding of figure drawing through nude studies of the human body, examination of skeletal structures and muscle masses. This figure-drawing course utilizes pastels, watercolors, charcoal, graphite, and conté crayon to exercise and develop the drawing skills of the student. Students study advanced concepts of storytelling, costumed drapery, pose, character development, composition, and continue their study of the anatomy with particular emphasis on the head and hands. Students also examine the effect of light on form. Upon successful completion of this course, students will have a portfolio of drawings in different media demonstrating an improvement in the essentials of figure drawing developed in Life Drawing I, II, and III, with special emphasis on the expressive possibilities of the head and hands, and in-form lighting through long poses of the clothed and unclothed figure.

    Prerequisites: IL 2550 - Life Drawing III: Human Anatomy  

    Notes: (Formerly IL 3610 Life Drawing IV)


    Course Learning Outcomes:
    • Implement storytelling techniques in composition, using various media.
    • Demonstrate advanced skills in drawing human anatomy from observation.
    • Apply the expressive possibilities of the head and hands to large scale drawings.
    • Analyze the commercial potential of drawing within the contemporary art market.

    IL 2750 Course Learning Outcome Rubric  

    Required Textbooks:
    ON-CAMPUS: The Artist’s Complete Guide to Facial Expression - ISBN: 9780823004324

    ON-CAMPUS: Drawing the Human Head - ISBN: 978-0823013760
    Required Course Materials:

    • Exacto Knife & Blades (or Utility Knife)
    • Spray Fix
    • Sketchbook
    • Masking Tape
    • Graphite Pencils (5 or more)
    • Charcoal Pencils or Conte (5 or more)
    • Vine Charcoal
    • Pastel Set (Color)
    • India Ink
    • Drawing Board w/Clips
    • erasers (kneaded, magic rub)
    • Drawing Extras (blending stump, sandpaper, etc)
    • Plate Bond
    • Large Pad (Sketch)
    • Drawing Paper (Specialty)
    • Toned Paper (5 or more)
    • Watercolor or Acrylic Synthetic Brushes (5 or more) 

    **Materials may vary depending on the instructor, make sure to check with your professor before purchasing.

Credits: 3
  
  • IL 2840 - Animal Anatomy + Drawing


    Credits: 3

    Students of all abilities learn wildlife sketching and drawing techniques based on comparative anatomical studies of the principal families of animals. Various resources available to the artist are explored in order to create accurate environments for animal art. Sessions take place at the Denver Zoo and the Denver Museum of Nature and Science. Upon successful completion of this course, the student shall have a developed sketchbook of animal drawings that demonstrate knowledge of the various proportions, anatomical structure, and characteristic gestures of a wide variety of animals, and a final composition project placing various animals into a storytelling picture.

    Prerequisites: IL 1510 - Perspective  and FD 1380 - Life Drawing II  

    Course Learning Outcomes:
    • Execute anatomical studies of wildlife skeletal and muscle structure, and demonstrate the resulting knowledge in expressive and constructive animal drawings.
    • Implement storytelling techniques in a final composition of an imaginary hybrid animal.

    IL 2840 Course Learning Outcome Rubric  

    Required Textbooks:
    ONLINE: An Atlas of Animal Anatomy for Artists - ISBN: 9780486200828

    ONLINE: How to Draw Animals - ISBN: 9780399508028
    Required Course Materials:

    • Sketchbook
    • Graphite Pencils (1-4) 
    • Markers, Black & White (1-4)
    • Colored Pencils ( qty. 1-4)
    • erasers (kneaded, magic rub)
    • Plate Bond
    • Illustration Board (1-4) 
    • Tracing Paper 

    **Materials may vary depending on the instructor, make sure to check with your professor before purchasing.

Credits: 3
  
  • IL 2850 - Figurative Sculpture


    Credits: 3

    In this sophomore-level course students will learn the basic tools, materials, and process for sculpting the human head. From armature to finish, students learn to measure proportions and utilize gesture, volume, and planes, and gain anatomical understanding as they hone their observational skills to create lifelike sculptures in W.E.D. clay. Upon successful completion of this course, students will have learned classical sculpting techniques and will have developed their own creative perception. Students also will have learned to master the technical accuracy of structure, volume, and plane, as well as the subtleties of constructing the human head and figure.

    Prerequisites: FD 1380 - Life Drawing II  

    Notes: On Campus Only.


    Course Learning Outcomes:
    • Demonstrate the basic sculptural practices of three-dimensional structure, plane, anatomical proportion, volume, lighting and gesture.
    • Develop an accurate portrait bust based on the model.

    IL 2850 Course Learning Outcome Rubric  

    Required Textbooks:
    The Artist’s Way - ISBN: 9781585421473
    Required Course Materials:

    • Sketchbook
    • Markers, Black & White (1-4)
    • Sculpture Hand Tools
    • Wed Clay (30 lbs)
    • Clay Extras (t-shirts, trash bags, clipboard) 

    **Materials may vary depending on the instructor, make sure to check with your professor before purchasing.

Credits: 3
  
  • IL 3000 - Illustration Junior Portfolio Review


    Credits: 0

    All juniors are required to participate in their departmental Junior Portfolio Review, which occurs at the completion of the junior year. This review enables the department to redirect students toward certain remedial tasks and helps them to focus on their professional objectives. At the end of this review, students and faculty have identified and discussed strengths and weaknesses in the student portfolios so that the students may address both in their upcoming major coursework. Must be completed between 75-90 credits.

    Prerequisites: Completion of 75+ credits.

    Notes: This course is Pass/Fail.


    Course Learning Outcomes:
    • Organize and present a junior-level portfolio representing program outcomes, and evincing readiness to move into advanced courses in the major.

    IL 3000 Course Learning Outcome Rubric  

Credits: 0
  
  • IL 3100 - Life Painting I


    Credits: 3

    Students paint from live nude models to further develop artistic skills in this studio course. They explore the potential of the human figure as a vehicle for creative visual expression. The integration of drawing, painting, composition, color, and content are important. Upon successful completion of this course, the student will have created a portfolio of figure paintings demonstrating a command of color, form, gesture, and anatomy in rendering the clothed and unclothed figure.

    Prerequisites: IL 2750 - Life Drawing IV  and IL 2560 - Still Life Painting  

    Notes: (Formerly IL 2650 Life Painting I)


    Course Learning Outcomes:
    • Demonstrate basic life painting skills.
    • Students understand basic topics in life painting for Illustrators, i.e., understanding of tonal keys, light/dark, warm/cool, and chromatic color relationships, as well as a good grasp of gesture, anatomy, proportion, and composition.
    • Develop a personal style while utilizing the above principles.

    IL 3100 Course Learning Outcome Rubric  

    Required Textbooks:
    Classical Painting Atelier - ISBN: 9780823006588
    Required Course Materials:

    • Spray Fix
    • Sketchbook
    • Masking Tape
    • Color Wheel
    • Charcoal Pencils or Conte (1-4) erasers (kneaded, magic rub) 
    • Large Pad (Sketch)
    • Canvas Boards/Canvas
    • Oil or Acrylic Bristle Brushes (5 or more)
    • Painting Extras (rags, towels, palette knife, etc.) 
    • Acrylic Paints (1-4)
    • Oil Paints (5 or more)
    • Oil Palette
    • Oil or Acrylic Mediums (glazing, drying, mixing, etc.) 
    • Brush Cleaner/Thinner
    • Digital Camera/Smart Phone
    • Viewfinder 

    **Materials may vary depending on the instructor, make sure to check with your professor before purchasing.

Credits: 3
  
  • IL 3250 - Life Painting II


    Credits: 3

    Students paint from live nude models to further develop artistic skills in this studio course. With emphasis on personal style, expressive approaches, and employing both the draped and undraped model, this course continues the anatomical, constructive, and compositional ideas introduced in IL 3100 - Life Painting I . Oils and acrylics are the primary materials used in this painting course. Upon successful completion of this course, the student will have a portfolio of paintings of the model in and out of costume, demonstrating a firm grasp of a variety of techniques in oil painting.

    Prerequisites: IL 3100 - Life Painting I  

    Notes: The textbook Imaginative Realism: How to Paint What Doesn’t Exist is also used in IL2575, IL3595, and IL4551.


    Course Learning Outcomes:
    • Demonstrate the use of tone and color relationships: tonal keys, light/dark, warm/cool, saturation, and color schemes.
    • Use oil paints to effectively portray the human figure.
    • Express personal style using the principles of life painting.
    • Apply advanced drawing/design skills in gesture, anatomy, proportion, and composition.

    IL 3250 Course Learning Outcome Rubric  

     

    Required Textbooks:
    ON CAMPUS: Imaginative Realism: How to Paint What Doesn’t Exist - ISBN: 9780740785504

    ONLINE: The Big Book of the Human Figure - ISBN: 9781438003436
    Required Course Materials:

    • Spray Fix 
    • Sketchbook Masking 
    • Tape Color Wheel
    • Charcoal Pencils or Conte (1-4) erasers (kneaded, magic rub)
    • Large Pad (Sketch)
    • Canvas Boards/Canvas
    • Oil or Acrylic Bristle Brushes (5 or more) 
    • Painting Extras (rags, towels, palette knife, etc.) 
    • Acrylic Paints (1-4)
    • Oil Paints (5 or more)
    • Oil Palette 
    • Oil or Acrylic Mediums (glazing, drying, mixing, etc.) 
    • Brush Cleaner/Thinner
    • Digital Camera/Smart Phone
    • Viewfinder 

    **Materials may vary depending on the instructor, make sure to check with your professor before purchasing.

Credits: 3
  
  • IL 3580 - Landscape Painting


    Credits: 3

    Landscape painting continues the illustrator’s study of basic oil painting materials and methods. Students further their understanding of representational painting through both studio and location work and employing plein-air studies that observe the landscape to master traditional compositional principles. Upon successful completion of the course, the student will understand the basics of observational painting in oils, using the landscape as subject matter.

    Prerequisites: IL 2560 - Still Life Painting  

    Course Learning Outcomes:
    • Create well-composed landscapes
    • Demonstrate thoughtful color application, designed for realism, atmosphere, and mood in landscape.
    • Apply drawing principles of chiaroscuro, and atmospheric and linear perspective to landscape
    • paintings.
    • Implement storytelling techniques in composition.

    IL 3580 Course Learning Outcome Rubric   

    Required Textbooks:
    ONLINE: Landscape Painting Inside & Out - ISBN: 9781600619083

    ONLINE: Blue and Yellow Don’t Make Green (2002 edition)  - ISBN: 9780891346227
    Required Course Materials:

    • Sketchbook
    • Color Wheel
    • Charcoal Pencils or Conte (1-4) 
    • Vine Charcoal
    • Markers, Black & White (1-4)
    • Pastel Set (Color)
    • erasers (kneaded, magic rub)
    • Drawing Extras (blending stump, sandpaper, etc) 
    • Canvas Boards/Canvas
    • Oil or Acrylic Bristle Brushes (5 or more)
    • Painting Extras (rags, towels, palette knife, etc.) 
    • Oil Paints or Acrylic Paints (5 or more)
    • Oil Palette
    • Oil or Acrylic Mediums (glazing, drying, mixing, etc.) 
    • Brush Cleaner/Thinner
    • Digital Camera/Smart Phone
    • Viewfinder
    • Easel 

    **Materials may vary depending on the instructor, make sure to check with your professor before purchasing.

Credits: 3
  
  • IL 3595 - Illustration II


    Credits: 3

    The information age demands that the illustrator must absorb complicated text and summarize it with a single image. In the areas of advertising, editorial, and institutional illustration, the artist does just that. This junior level course defines and develops the necessary methods required to successfully conceive and produce powerful single-image illustrations that quickly communicate to a mass audience. Studio projects will rely on the analytical method of thumbnail sketches, reference gathering, preliminary drawings, and color studies for the production of finished illustrations. Upon successful completion of this course, students will gain knowledge and skills in story analysis, compositional development, and the production of finished illustrations in a variety of techniques, including digital applications.

    Prerequisites: IL 2575 - Illustration I  

    Notes: (Formerly IL 3590 Non-fiction Illustration)

    The textbook Imaginative Realism: How to Paint What Doesn’t Exist is also used in IL2575, IL3250, and IL4551.




    Course Learning Outcomes:
    • Apply ideation methods to develop dynamic and original illustrations.
    • Analyze non-fiction stories in illustrations which create unique visual solutions.
    • Use visual metaphor in illustrations to communicate narrative to a specific audience.
    • Implement visual and verbal problem-solving skills in illustrations to communicate to a specific, defined, audience.
    • Experiment with digital media to create unique images.

    IL 3595 Course Learning Outcome Rubric   

    Required Textbooks:
    ON-CAMPUS: Imaginative Realism: How to Paint What Doesn’t Exist, James Gurney  ISBN 978-0740785504

    This text is recommended for ONLINE students.
    Required Course Materials:
    Optional Materials based on Student Preference

    • Sketchbook
    • Tracing Paper Pad and/or Drafting Film
    • Graphite Pencils (1-4)
    • Vine Charcoal
    • Markers, Black & White (1-4)
    • Pastel Set (Color)
    • India Ink
    • erasers (kneaded, magic rub)
    • Large Pad (Sketch)
    • Illustration Board (1-4)
    • Watercolor or Acrylic Synthetic Brushes (5 or more) 
    • Acrylic Paints (5 or more)
    • Brush Cleaner/Thinner 
    • Digital Camera/Smart Phone 

Credits: 3
  
  • IL 3601 - Illustration Internship Part I


    Credits: 1.5

    The IL Elective Internship program enables students to work with established art and design professionals specifically related to their academic and career interests. Under the direction of the department Chair, department Internship Coordinator, and the Office of Career+ Alumni Services, students are carefully evaluated to facilitate the best possible student/sponsor connection, and a planned program of activities is then coordinated with the professional internship sponsor. Upon successful completion of the internship program, students will have real-world work experience, preparing them for a career in art and design.

    Prerequisites: Approval of Department Chair or Department Internship Coordinator

    Notes: This course is Pass/Fail.


Credits: 1.5
  
  • IL 3602 - Illustration Internship Part II


    Credits: 1.5

    The IL Elective Internship program enables students to work with established art and design professionals specifically related to their academic and career interests. Under the direction of the department Chair, department Internship Coordinator, and the Office of Career+ Alumni Services, students are carefully evaluated to facilitate the best possible student/sponsor connection, and a planned program of activities is then coordinated with the professional internship sponsor. Upon successful completion of the internship program, students will have real-world work experience, preparing them for a career in art and design.

    Prerequisites: Approval of Department Chair or Department Internship Coordinator

    Notes: This course is Pass/Fail.


Credits: 1.5
  
  • IL 3650 - Children’s Book Illustration I


    Credits: 3

    Students are familiarized with the illustrator’s role in the development and creation of a children’s book. Assignments include breaking up manuscripts, designing characters, creating a storyboard, a wrap-around jacket, a 3D page dummy and several finished pieces. Other areas covered in class are story flow, consistency, age-appropriateness, professional practices, working with text, design, color, and composition. Upon successful completion of this class, the student will have an understanding of the process of illustrating a children’s picture book as well as increased understanding of storytelling, character, and other basic illustration skills.

    Prerequisites: IL 2575 - Illustration I  

    Course Learning Outcomes:
    • Apply the process of designing and illustrating a children’s picture book from manuscript.
    • Demonstrate an understanding of publisher expectations for illustrating a picture book.
    • Refine drawing, design, color, composition and storytelling skills for children’s books.
    • Demonstrate an understanding of selected historic and current children’s book illustrators.

    IL 3650 Course Learning Outcome Rubric  

    Required Course Materials:
    Optional Materials based on Student Preference

Credits: 3
  
  • IL 3655 - Character Design


    Credits: 3

    Telling good stories involves creating memorable characters. How is this accomplished? What is the role of costume? How can the artist develop vivid personalities to inhabit the author’s stories? How does knowing the audience help define the character? The answers to these questions are the basis for this advanced course in character design. Students develop a series of characters traditionally on paper (character sketches, turnarounds, sheets, and finished drawings) and with Sculpey or other clay 3D materials. Upon successful completion of this class, the student will have a better understanding of how to create a more fully developed drawn character.

    Prerequisites: FD 1380 - Life Drawing II  

    Course Learning Outcomes:
    • Demonstrate professional character design and presentation skills used in film, video games and the comic book industry.
    • Analyze and produce compelling and dynamic characters from written descriptions and stories using basic and advanced theories of design.

    IL 3655 Course Learning Outcome Rubric  

    Required Textbooks:
    ON-CAMPUS: The Silver Way - ISBN: 978-1-62465-0-345

    ONLINE: Force: Character Design from Life Drawing - ISBN: 9780240809939
    Required Course Materials:
    Optional Materials based on Student Preference

Credits: 3
  
  • IL 3700 - Topics in Illustration


    Credits: 3

    This junior-level course examines various aspects of Illustration. The course content varies, allowing students to explore specific aspects of the discipline with greater depth and mastery. Students will work on a series of projects that address the topic at hand. Upon successful completion of this course, students possess a deeper understanding of a specific aspect of Illustration.

    Prerequisites: IL 2575 - Illustration I  

Credits: 3
  
  • IL 3850 - Digital Illustration I


    Credits: 3

    In this junior-level course, students will combine traditional skills and materials with digital media to learn a variety of methods for creating their artwork digitally. Upon successful completion of this course, students will have applied the basic tools for raster and vector programs to various story-based projects.

    Prerequisites: FD 1020 - 2D Design: Elements + Principles  and IL 2575 - Illustration I  

    Notes: (Formerly IL 4550 Digital Illustration I)


    Course Learning Outcomes:
    • Apply the basic tools and techniques of digital media to various story-based projects.
    • Combine traditional illustration skills and materials with digital media
    • Cultivate the on-going ability to research and learn digital processes

    IL 3850 Course Learning Outcome Rubric  

    Required Course Materials:
    Optional Materials based on Student Preference

Credits: 3
  
  • IL 3895 - Illustration III


    Credits: 3

    This senior-level course is designed to expand understanding of visual storytelling. Through a series of digital projects, students will interpret and derive visual inspiration from various texts including classic novels, short stories, or poems. By employing advanced story analysis, development processes, pictorial composition, and color organization, students will develop narrative illustrations. Upon successful completion of this class, the student will have increased understanding of interpreting text and visual storytelling, as well as other illustration principles such as composition, communication, drawing, character, and color. 

    Prerequisites: IL 3850 - Digital Illustration I   ; OR GD 2210 - Vector Illustration   and GD 2220 - Raster Image Processing   

    Course Learning Outcomes:
    • Implement advanced storytelling techniques in composition.
    • Apply advanced skills in drawing, character development, and applying color to narrative illustrations.
    • Create illustrations based on analysis and interpretation of text, using a combination of traditional and digital methods.  

    IL 3895 Course Learning Outcome Rubric  

    Required Course Materials:
    Optional Materials based on Student Preference

Credits: 3
  
  • IL 4450 - Illustration Marketing


    Credits: 3

    This course enables students to create a professional marketing plan and brand identity that reflects their personal career goals through strategically advertising their services to clients using a range of new web technologies and traditional marketing modalities. Upon successful completion of this course, students will be able to determine which marketing tools are most effective and know how to use them. Students will be able to demonstrate a solid understanding of how to leverage offline and online tools, like new media, to drive art buyers to an illustration portfolio website. Students will understand focused methods to present a portfolio online or in-person. Finally, students will be able to clearly communicate and implement actionable steps to competitively market their professional illustration services.

    Prerequisites: Completion of 90+ credit hours

    Course Learning Outcomes:
    • Create a marketing plan and materials reflecting individual career goals and visual style.
    • Employ digital and traditional marketing modalities to advertise the illustration brand.
    • Research and analyze target audience for illustration services.

    IL 4450 Course Learning Outcome Rubric  

    Required Textbooks:
    Graphic Artists Guild Handbook Pricing & Ethical Guidelines 15th Edition - ISBN: 9781507206683

    ONLINE: Art Money Success, Maria Brophy - ISBN 9780999011508
    Required Course Materials:
    Hosting Solution for Personal Website

Credits: 3
  
  • IL 4551 - Digital Illustration II


    Credits: 3

    This course is the second half of Digital Illustration, a course meant for furthering the illustrator’s ability to combine traditional art skills with the advantages inherent in the computer. Upon successful completion of this course, students will have continued their exploration of digital painting methods and learned advanced techniques for raster and vector programs that are used for digital drawing, painting, and composition.

    Prerequisites: IL 3850 - Digital Illustration I  OR; GD 2210 - Vector Illustration   and GD 2220 - Raster Image Processing  

    Notes: The textbook Imaginative Realism: How to Paint What Doesn’t Exist is also used in IL 2575, IL 3250, and IL3595.


    Course Learning Outcomes:
    • Demonstrate understanding of Photoshop for professional set-up and completion of full-color digital paintings.
    • Experiment with digital media to create unique visual solutions.
    • Apply advanced tools and techniques of digital media to various story-based projects.

    IL 4551 Course Learning Outcome Rubric  

    Required Textbooks:
    ON-CAMPUS: Imaginative Realism: How to Paint What Doesn’t Exist - ISBN: 978-0740785504
    Required Course Materials:
    Optional Materials based on Student Preference

Credits: 3
  
  • IL 4600 - People, Places + Things: Elements of Concept Art I


    Credits: 3

    This course focuses on the different elements that a concept artist will be expected to create for a project, whether it be a game or film (animated or live action). The course will focus on what is expected of a concept artist in the professional studio or freelance situation. This course will cover both traditional and digital media. Upon successful completion of this course the student will have a better understanding of what the expectations are of a concept artist and the process it takes to create work for this field on a professional level.

    Prerequisites: IL 2575 - Illustration I  

    Course Learning Outcomes:
    • Develop skills in both traditional and digital concept art.
    • Investigate character, prop and environmental design.
    • Demonstrate skills in preproduction art for animation, game art and film.

    IL 4600 Course Learning Outcome Rubric  

    Required Textbooks:
    ONLINE: Character Mentor: Learn by Example to Use Expressions, Poses, and Staging to Bring Your Characters to Life - ISBN: 9781136147371

    ONLINE: Mechanika: Creating the Art of Science Fiction with Doug Chiang by Doug Chiang - ISBN: 978-1600610233
    Required Course Materials:
    Optional Materials based on Student Preference

Credits: 3
  
  • IL 4620 - People, Places + Things: Elements of Concept Art II


    Credits: 3

    This course continues from where Elements of Concept Art I left off. Students will get the opportunity to create characters, environments, and objects for one single project or further explore one area of concept art such as character design or environmental design. This will aid in bringing consistency and uniformity to the work. The student will also learn about business and industry standards and how to seek out and promote themselves to a studio. Upon successful completion of this course the student will have a deeper understanding of what it takes to complete a project in all areas of Concept Art and/or a deeper understanding and experience in a specific area of Concept Art. The student will also have an understanding of industry practices and expectations.

    Prerequisites: IL 4600 - People, Places + Things: Elements of Concept Art I  

    Course Learning Outcomes:
    • Develop advanced storytelling skills in digital concept art.
    • Create innovative preproduction art for animation, game art and film.
    • Research and analyze the concept art industry to identify standards, trends, and opportunities.

    IL 4620 Course Learning Outcome Rubric  

    Required Course Materials:
    Optional Materials based on Student Preference

Credits: 3
  
  • IL 4640 - Typography for Illustration


    Credits: 3

    This course examines the relationship of typographic design to illustration. Students will learn to apply the basic elements and principles of graphic design to a range of typographic projects to learn how type works with images to communicate ideas. In addition, students will discuss historical and contemporary use, examining page layout and identifying crucial relationships, with special emphasis on creative typographic design solutions. Upon successful completion of this class, students will exhibit increased abilities to arrange, design, and manipulate typography as a visual tool in order to more effectively communicate ideas.

    Prerequisites: IL 3850 - Digital Illustration I  

    Notes: (Formerly IL 2440 Typography for Illustration)


    Course Learning Outcomes:
    • Identify and implement Typography vocabulary.
    • Demonstrate basic skills in the application of Typography within the field of graphic design.
    • Demonstrate an aesthetic awareness of letterforms as well as techniques and process to achieve expressive typography.
    • Implement strategies for creating clear and concise visual communication, ideas, and themes through the use of typography.

    IL 4640 Course Learning Outcome Rubric  

    Required Textbooks:
    ONLINE: Thinking with Type, 2nd Revised + Expanded Edition: A Critical Guide for Designers, Writers, Editors, & Students - ISBN: 978-1568989693
    Required Course Materials:

    • Ruler
    • Sketchbook
    • Graphite Pencils (1-4)

    **Materials may vary depending on the instructor, make sure to check with your professor before purchasing.

Credits: 3
  
  • IL 4650 - Children’s Book Illustration II


    Credits: 3

    Children’s Book Illustration II is the second half of Children’s Book Illustration. Individual assignments augment the earlier course and extend the practical methods. Upon successful completion of this class, the student should have an increased knowledge of the process needed to complete a 32-page picture book project, as well as an increased understanding of storytelling, design, character development, and other basic illustration principles.

    Prerequisites: IL 3650 - Children’s Book Illustration I  

    Course Learning Outcomes:
    • Consider the publisher expectations in the process of designing and illustrating a children’s picture book from manuscript.
    • Experiment with drawing style and media to create unique visual solutions for children’s literature.
    • Students will be expected to have a working knowledge of selected historic and current children’s book illustrators.
    • Apply advanced skills in illustration to create a children’s book prototype.

    IL 4650 Course Learning Outcome Rubric  

    Required Textbooks:
    ON-CAMPUS: Children’s Writer’s & Illustrator’s Market 2020: The Most Trusted Guide to Getting Published, 32nd Edition - ISBN: 978-1440301230

Credits: 3
  
  • IL 4900 - Illustration Graduation Portfolio I


    Credits: 3

    In this senior-level course, students specialize in a single area of illustration and begin the development of their graduation portfolio. Projects and timetables are self-directed in consultation with the instructor. Upon successful completion of this course, the student will have created a series of related portfolio projects that demonstrate advanced thinking and storytelling abilities, continued improvement in illustration methods and materials, and a greater command of innovative style in their artwork. 

     

    Prerequisites: IL 4450 - Illustration Marketing  

    Notes: To be completed in the term prior to IL 4995 - Illustration Graduation Portfolio II  




    Course Learning Outcomes:
    • Demonstrate advanced thinking, planning, and storytelling abilities.
    • Show improvement in illustration methods and materials.
    • Imagine and incorporate an innovative style to finished illustrative work.

    IL 4990 Course Learning Outcome Rubric  

    Required Textbooks:
    Graphic Artists Guild Handbook: Pricing + Ethical Guidelines - ISBN: 978-0262542395
    Required Course Materials:

    • Optional Materials based on Student Preference
    • Promotional Materials (cards, prints, etc.)
    • Framing Materials for Graduation Exhibit

Credits: 3
  
  • IL 4995 - Illustration Graduation Portfolio II


    Credits: 3

    In their final Illustration course, senior students finalize their marketing materials, website, and graduation portfolio. Projects and timetables are self-directed in consultation with the instructor and continue the portfolio work created in Illustration Graduation Portfolio I. Students will gain information on how to set up a small business focusing on self-promotion, pricing, contracts, and taxes. Upon successful completion of this course, students will create a professional-level display of new work for their graduation portfolio, including self-promotional materials.

    Prerequisites: IL 4900 - Illustration Graduation Portfolio I  

    Notes: Must be a senior in their last term.


    Course Learning Outcomes:
    • Recognize the importance of individual style in the illustration marketplace.
    • Create new work within their target market.
    • Evaluate illustration business methodologies.
    • Exercise time management and critical decision-making skills for multiple client-based projects.

    IL 4995 Course Learning Outcome Rubric  

    Required Course Materials:
    Optional Materials based on Student Preference

    Promotional Materials (cards, prints, etc.)

    Framing Materials for Graduation Exhibit

Credits: 3

Illustrative Design

  
  • ILD 3000 - Illustrative Design Junior Portfolio Review


    Credits: 0

    Students who have completed over 60 credit hours are required to participate in a mid-career portfolio review before reaching 90 credits. This review is designed to identify students’ strengths and weaknesses so that they may address both in their upcoming major coursework.

    Prerequisites: Completion of 60+ credits

    Course Learning Outcomes:
    Students demonstrate cultural competencies in the ability to describe and respond to audiences and contexts that communication and design solutions must address.

    Students demonstrate cultural competencies in recognizing the physical, cognitive, cultural, and social human factors that shape design decisions.

    Students demonstrate communication competency in the ability to solve communication + design problems.

    Students demonstrate communication competency in their understanding of basic business practices, including the ability to organize design projects and to work productively as a member of teams.

    Students demonstrate communication competency in a strong use and proficiency in storytelling & communication.

    Students demonstrate design competencies in understanding: symbolic representation, principles of visual organization/compositional theory and information hierarchy, and the proper use of typography and its various applications.

    Students demonstrate design competencies in understanding art and design history, theory and criticism.

    Students demonstrate design competencies in a strong use and proficiency in media and digital skills, and mechanical skills such as drawing and the use of value and color.

    Students demonstrate design competencies in the ability to create and develop visual form in response to communication problems.

    Students demonstrate design competencies in a strong sense of personal style.

    Students demonstrate critical thinking skills in research and information gathering, analysis, generation of alternative solutions.

    ILD 3000 Course Learning Outcome Rubric  

     

Credits: 0
  
  • ILD 4980 - Senior Illustrative Design Seminar


    Credits: 3

    This course investigates seminal issues and ideas in illustrative design. Topics include the changing role of the illustrator and designer in contemporary culture, conflicts between commercial practice and social responsibility, and practical issues as they relate to securing a professional position in the field. Visiting illustrators and designers contribute to a thought-provoking seminar environment. Upon successful completion of this course, students have successfully completed a thesis project, writing portfolio, and marketing materials. 

    Prerequisites: ILD 3000 - Illustrative Design Junior Portfolio Review  

    Notes: This course is open to seniors in their second to last term.


    Course Learning Outcomes:
    • Apply aesthetic theories to contemporary illustrative design problems.
    • Develop an awareness of the power of visual materials, such as propaganda and advertising, within the sociocultural, political, philosophical and economic landscape.
    • Synthesize the ethical implications of illustrative design and the associated responsibilities of the illustrative designer.
    • Determine a contemporary issue that necessitates change, including requisite research methods and development of new ideas and strategies.
    • Demonstrate the relationships between cultural, social, economic, and political policies and their impact on the contemporary challenges facing illustrative designers.

    ILD 4980 Course Learning Outcome Rubric  

Credits: 3
  
  • ILD 4990 - Illustrative Design Graduation Portfolio


    Credits: 3

    The illustrative designer’s portfolio of work is the employer’s primary tool for assessing the skills and talents of a prospective employee. The portfolio is the art student’s most important asset in successfully gaining employment upon graduation. Portfolio class explores these issues as well as what constitutes a professional-looking portfolio, who should see it, and how to arrange appointments. Instructors assist the students in selecting artwork for refinement and inclusion in the portfolio and in assembling the portfolio for maximum effect.

    Prerequisites: ILD 4980 - Senior Illustrative Design Seminar  

    Notes: This course is open to seniors in their last term.


    Course Learning Outcomes:
    • Develop a complete personal branding system, a printed portfolio, an exhibition display of illustrative design work, a portfolio book and an online digital presence that includes social media.
    • Exercise crucial time management and critical decision- making skills by planning and implementing the final presentation of design work.
    • Solve communication problems through illustrative design.
    • Apply research, information gathering and analysis to generate alternative solutions.
    • Create prototypes, apply user testing and evaluate outcomes.
    • Describe and respond to the audiences and contexts, which communication solutions must address.
    • Recognize the physical, cognitive, cultural, and social human factors that shape human decisions.
    • Create visual form in response to communication problems.
    • Understand symbolic representation.
    • Apply principles of visual organization/composi tion and information hierarchy.
    • Apply typography properly in its various applications.
    • Use industry-based tools in the creation, reproduction, and distribution of visual messages.
    • Examine their position within illustration and design history, theory, and criticism.

    ILD 4990 Course Learning Outcome Rubric  

Credits: 3

Mathematics

  
  • MA 1205 - College Algebra


    Credits: 3

    This course provides students an integrated approach to algebraic topics through applications and visualizations. Topics include equations and inequalities; functions and their graphs; exponential and logarithmic functions; linear and non-linear systems; selection of topics from among graphing of the conic sections; introduction to sequences and series; permutations and combinations; the binomial theorem; and theory of equations. Upon successful completion of the course, students will show their mastery of the topics discussed through assignments and exams.

    Prerequisites: none

    Course Learning Outcomes:
    • Understand algebra and functions in problem solving and modeling.
    • Understand quantitative literacy skills.
    • Understand examples of quantitative needs in other disciplines inside and outside the realm of academia.

    MA 1205 Course Learning Outcome Rubric  

    Required Textbooks:
    ON CAMPUS: Aufmann Introductory Algebra Paperback Student Support Edition - ISBN: 9781133365433

    ONLINE: College Algebra with Modeling & Visualization, 5th Edition - ISBN: 9780321833105

Credits: 3
  
  • MA 1215 - Applied Mathematics


    Credits: 3

    This course introduces students to aspects of mathematics that are particularly relevant to art and design. A basic knowledge of mathematics is required (first year of high school level). Topics include: numeric and geometric patterns in art and nature (Fibonacci series, tiling); symmetry, perspective, polyhedra, equations, and graphs of trajectories; computer graphics; and fractals. Upon successful completion of this course, students will be able to apply mathematical equations to solve problems related to the topics listed above.

    Prerequisites: none

    Course Learning Outcomes:
    • Understand real numbers, basic algebra, geometry, and trigonometry.
    • Understand the philosophy of mathematics in the context of art and design.
    • Understands basic math calculations.
    • Understands the importance of mathematics for creative fields of study.

    MA 1215 Course Learning Outcome Rubric  

    Required Textbooks:
    Mathematical Ideas, 12th Edition - ISBN: 9780321693815

Credits: 3
  
  • MA 1220 - Financial Principles + Practices


    Credits: 3

    This freshman-level math course introduces students to the nature and purpose of financial principles. The goal is for students to develop mathematical skills in financial accounting and gain basic knowledge of the principles and practices needed to understand the contemporary business world. Through lecture presentations, demonstrations, practice exercises, case studies, and quizzes, students will demonstrate basic financial concepts and financial statement creation and analysis.

    Prerequisites: none

    Course Learning Outcomes:
    • Understands Generally Accepted Accounting Principles (GAAP) to identify the difference between assets, liabilities and net worth, along with analyzing, recording and reporting financial information for service organizations using Microsoft Excel.
    • Understands the chart of accounts in day-to-day transactions to record general journal transactions, post to the general ledger and create a trial balance.
    • Understands accounting worksheets (incorporating adjustments) based on the company trial balance.
    • Understands the difference between an income statement, statement of owner’s equity, and balance sheet.
    • Understands an income statement, statement of owner’s equity and balance sheet from an adjusted trial balance or worksheet.
    • Understands company closing entries to the general journal and general ledger, culminating with a post-closing trial balance.

    MA 1220 Course Learning Outcome Rubric  

    Required Textbooks:
    Accounting Principles, 12th Edition., Weygant, Kimmel, Kieso - ISBN: 9781118875056

Credits: 3
  
  • MA 1221 - The Art of Math


    Credits: 3

    This course will use the mathematical model of inquiry to pose and answer questions relating to art and design, music, nature, and history. The course will progress from ancient Egypt and Greece to the Renaissance and into the twenty-first century. Topics include Algebra, Geometry; ratios; abstract mathematical thinking through sequences, series, and patterns; modular arithmetic; and relations. The material is mathematical. However, its topics, as well as many of the examples and the work students do, will be drawn from the fields of art and design, dance, film, and music. Students will complete a significant project that applies mathematics to their area of interest.

    Prerequisites: None

    Course Learning Outcomes:
    • Understand how to apply mathematics logically and critically to analysis.
    • Understand mathematical patterns.
    • Understand the different branches of mathematics.
    • Understand mathematics as a problem-solving tool.
    • Understand the importance of mathematics in society, nature, the arts and design.
    • Understand the connect of mathematics to the student’s field of study.

    MA 1221 Course Learning Outcome Rubric  

Credits: 3
  
  • MA 1230 - Statistics


    Credits: 3

    This is an introductory course in the fundamentals of modern statistical methods. The goal of this course is to provide students with the basic knowledge and skills for working with statistics. Topics include descriptive statistics, probability, random sampling, tests of hypotheses, estimation, simple linear regression, and correlation. Upon successful completion of the course, students will have increased their understanding of statistics and have improved their capacity for working with statistics.

    Prerequisites: none

    Course Learning Outcomes:
    • Understand how data is collected, analyzed, and illustrated.
    • Understand how to create graphs and charts using Excel.
    • Understands descriptive statistics for sets of quantitative data.
    • Understands fundamental inferential statistics for a set of data.
    • Understands a variety of statistical analyses.

    MA 1230 Course Learning Outcome Rubric  

     

    Required Textbooks:
    Statistical Reasoning for Everyday Life (5th edition, 2018))
    by Jeffrey O. Bennett, William L. Briggs, Mario F. Triola
    Pearson. ISBN: 9780134509884

Credits: 3

Music History

  
  • MH 2020 - History of Popular Music


    Credits: 3

    In this sophomore-level course, students learn how the popular music industry evolved— through the assimilation and hybridization of styles, and under the transformative catalysts of music technology and the media. Beginning with the rise of folk styles in the first half of the 20th century, the course explores how diverse musical influences, consumerism, technology, politics, and media formats all contribute to the explosion of Pop since the mid-1950s. By learning how electronic instruments and the development of modern recording studios multiplied the palette of available sounds and presentation methods, students will understand how record labels’ saturation of the media converged with film, magazines, broadcasting technology, cable television, and the internet to drive sales and broaden cultural influence. By the conclusion of this course, students are able to identify key recordings and popular music milestones, based on facets of musical style, recording technique and distribution model, and cultural impact, and explain their significance in the development of broader aesthetics, music technologies, and cultural tensions that underlie the popular music of today.

    Prerequisites: HU 1110 - Humanities I: World Thought I  

    Course Learning Outcomes:
    • Explain the musical, technological, commercial, and cultural significance of key milestones in the history of popular music.
    • Evaluate popular music of past decades.
    • Formulate historical connections to music styles relevant today.
    • Analyze how the development of new recording technologies and media influenced musical styles.
    • Explain through example how different folk or underground musical cultures have been influenced, accepted, appropriated, or excluded by the popular music industry.


Credits: 3
  
  • MH 3120 - Musical Ethnography


    Credits: 3

    In this junior-level world music course, students engage in the theories, histories, and practices of music from the perspective of the cultures and societies that make it. This course explores notions of musical difference, expression, and value based on local practices and the rich history and research methods of ethnography. Through lectures, readings, listening assignments, and local community research, students will learn critical and comparative thinking skills that are central to understanding music as a trace, or artifact, of ethnic culture. The diverse and interdisciplinary nature of ethnomusicology will foster students’ ability to integrate knowledge from other humanities disciplines, particularly historical musicology, anthropology, folklore, linguistics, communication, and cultural studies. Ultimately, this course is designed to cultivate students’ broader awareness of musical difference and its connection to the rich social and cultural practices within specific communities of makers and listeners that ascribe meaning and value to sounds.

    Prerequisites: HU 1110 - Humanities I: World Thought I   

    Course Learning Outcomes:
    • Apply critical listening skills to diverse music traditions in consideration of their cultural and contextual significance.
    • Create written critical responses to ethnographic studies and recordings and present them orally.
    • Critique, explain, and defend arguments about the music of diverse cultures from a perspective informed by ethnographic research and aware of issues concerning systemic bias and marginalization.


Credits: 3
  
  • MH 3710 - History of Electronic Music


    Credits: 3

    In this junior-level music history course, students survey the development, experimental practices, and eventual proliferation of electronic music across the 20th and beginning of the 21st Century. The course will discuss both academic and popular electronic music trends, often addressing how the same technologies are used in significantly different ways. By outlining the historical context and global modes of influence between various works and composers involved in electronic music, students achieve a comprehensive understanding of the fruitful, ongoing discourse surrounding what, how, and why different technologies, ideas, and cultural practices shape electronic music today. Such a discourse provides a foundation for students to posit future artistic ramifications of the interaction between music and technology.

    Prerequisites: HU 1110 - Humanities I: World Thought I  

    Course Learning Outcomes:
    • Apply critical listening skills to diverse electronic music styles in consideration of technological, aesthetic, and cultural significance.
    • Identify and explain the importance of key recordings and composers in electronic music history.
    • Develop and defend arguments about the use of technology in making electronic music based on historical evidence and the contextual significance of specific works or artists.


Credits: 3

Music Production

  
  • MP 1000 - Music Production Styles + Analysis


    Credits: 3

    In this freshman-level foundations course, students will explore the breadth of music production styles, techniques, and analysis skills that professional producers engage with daily to make successful recordings. Through analysis of different popular and electronic music forms, demonstrations of musical arrangements, critical listening exercises, and short applied creative projects in specific styles, students will learn to recognize characteristics of different music production styles, demonstrate basic critical listening skills for recording and production techniques, and acquire meaningful vocabulary to describe what they hear.

    Prerequisites: None

    Course Learning Outcomes:
    • Formulate critical listening vocabulary.
    • Evaluate instrumentation and musical arrangement for different production styles.
    • Analyze and describe perception of audio spectrum and dynamics.
    • Produce short recordings in specific musical styles.


Credits: 3
  
  • MP 1100 - How Music Works


    Credits: 3

    In this freshman-level foundations course, students will achieve foundational understanding of music’s building blocks: pitch, scale, intervals, chords, and meter. Through both group and individual analysis of musical examples, arrangement exercises, and short tonal composition exercises, students will learn to identify basic time and pitch structures in context and evaluate how they function to create the experience of music.

    Prerequisites: None

    Notes: Exemption available through diagnostic exam.


    Course Learning Outcomes:
    • Identify musical scales, keys, meter, intervals, and cadences.
    • Analyze song form and basic harmonic progressions.
    • Identify chord inversions.
    • Evaluate musical dynamics, articulation changes, and non-chord tones.


Credits: 3
  
  • MP 1110 - Theories of Musical Practice I


    Credits: 3

    In this freshman-level music theory course, students will learn to apply basic techniques of analysis to existing music and extend their toolkit for the creative manipulation of musical materials in composition and arrangement. Through instructor-led lecture, analysis, and demonstration of core musical concepts, including diatonic chord functions, basic 4-part voicing, rhythmic devices, dominant 7th chords, and dominant/tonic relationships in multiple key areas, students will gain fluency in recognizing and understanding the contextual importance of melodic, harmonic, and rhythmic decisions. The course will emphasize popular and classical music in the Western tradition with stylistic examples drawn from World Music to deepen students’ connection to and understanding of core musical concepts.

    Prerequisites: MP 1100 - How Music Works  or diagnostic exemption.

    Course Learning Outcomes:
    • Demonstrate diatonic chord functions and basic counterpoint.
    • Identify rhythmic styles, syncopation, and meter.
    • Analyze cadential motion in any key area.
    • Create melodies and tonal chord progressions.


Credits: 3
  
  • MP 1140 - Musicianship


    Credits: 3

    In this freshman-level foundations course, students will hone their ability to listen critically and accurately execute core musical competencies related to melody, rhythm, and harmony. Through conventional ear-training exercises, acquisition of beginner keyboard skills, and transcription tasks, students will grow their aural sensitivity to, understanding of, and confidence in presenting foundational musical knowledge through sound and notation. The course will result in students’ basic proficiency in communicating musical ideas through voice, keyboard, and aural transcription.

    Prerequisites: MP 1110 - Theories of Musical Practice I  

    Course Learning Outcomes:
    • Identify pitch intervals and chord inversions.
    • Perform notated diatonic melodies and chromatic intervals with voice.
    • Perform notated diatonic melodies and chord progressions on keyboard.
    • Identify diatonic melodies and chord changes by ear.
    • Transcribe simple melodic, rhythmic, and harmonic passages of music.


Credits: 3
  
  • MP 1230 - Music Composition I


    Credits: 3

    In this freshman-level introduction to songwriting, students will learn how to align lyric, melody, harmony, and arrangement to craft songs. Through analysis of examples, creative demonstrations, and applied projects that address each of the above elements of song as primary, students will learn to write songs in different ways while growing their technical understanding of song form, emotional tension and release, and reinforcement between words and music.

    Prerequisites: MP 1110 - Theories of Musical Practice I  

    Course Learning Outcomes:
    • Utilize melody and harmonic accompaniment to create tension, release, and musical form.
    • Produce digital recordings of original music.
    • Create lyrical/lexical meaning or programmatic narrative.


Credits: 3
  
  • MP 1400 - How Digital Audio Works


    Credits: 3

    In this freshman-level foundations course, students will be introduced to key concepts regarding the theory and applied practice of recording and manipulating digital audio signals. Students will learn basic field and studio recording technologies, how to edit and export digital audio files of various formats, create sound libraries of synthesized and recorded samples, and acquire basic understanding of Digital Audio Workstations, signal-flow, and key operations for manipulating sound.

    Prerequisites: None

    Notes: Exemption available through diagnostic exam.


    Course Learning Outcomes:
    • Record, edit, process, and export audio in alignment with digital audio theory.
    • Produce libraries of recorded and synthesized sounds.
    • Demonstrate basic Digital Audio Workstation (DAW) operations.


Credits: 3
  
  • MP 1500 - How the Music Industry Works


    Credits: 3

    In this freshman-level foundations course, students will acquire broad familiarity with music industry trends and the range of possible careers in music and sound production. Students will engage with professional skills required of content producers, pre- and post-production processes, and standard financial, legal, and organizational relationships. Through topical lectures and applied exercises addressing music industry operations, artist rights, accounting practices, and professional development, students will understand career options and begin to acquire the professional and communication skills needed to engage in the field.

    Prerequisites: None

    Course Learning Outcomes:
    • Evaluate music industry career options and case studies.
    • Evaluate copyright violation and fair-use standards.
    • Demonstrate project management and budgeting.
    • Create professional writing examples.
    • Analyze industry trends and growth areas.


Credits: 3
  
  • MP 2110 - Theories of Musical Practice II


    Credits: 3

    In this sophomore-level music theory course, students develop a comprehensive view of tonal music and functional harmony based in the Classical tradition, with significant exposure to Jazz, Popular, and World Music styles as well. Through both instructor-led and individual analysis projects, listening exercises, and short composition exercises, students will learn how chromatic pre-dominant chords, 7th chords, secondary chords, key modulations, and non-chord tones function in different styles of music. Students will also develop skills reading and writing traditional notation, figured-bass notation, and writing lead sheets.

    Prerequisites: MP 1110 - Theories of Musical Practice I  and MP 1140 - Musicianship  

    Course Learning Outcomes:
    • Identify pivot chords & chromatic pre-dominant chords.
    • Analyze modulations, secondary chord functions, 7th chords, and non-chord tones.
    • Apply figured bass notation.
    • Create 4-part harmony in multiple key areas.


Credits: 3
  
  • MP 2140 - Critical Listening


    Credits: 3

    In this sophomore-level musicianship skills and music cognition class, students learn to deconstruct sounds by isolating particular characteristics of aural perception. Students will acquire foundational knowledge about how the ear works, cognitive processes of aural perception, modes of listening, and particular psychoacoustic effects to develop sensitivity to aural phenomena. Through lectures, listening exercises, and analysis projects, this course will prepare students to engage in composition, production, and audio engineering coursework that requires advanced listening, analysis, and music communication skills.

    Prerequisites: MP 1140 - Musicianship  

    Course Learning Outcomes:
    • Demonstrate aural sensitivity to changes in pitch, loudness, timbre, and articulation.
    • Justify critical listening and analysis of audible media using appropriate psychoacoustic descriptors.
    • Explain basic mechanics, biology, and cognition processes involved in auditory perception.
    • Evaluate and apply music production changes that reflect different modes of listening.


Credits: 3
  
  • MP 2230 - Music Composition II


    Credits: 3

    In this sophomore-level composition and portfolio review course, students will be introduced to the craft of contemporary tonal and atonal composition, with three key areas of focus: pitch structures, rhythmic and metrical devices, and approaches to orchestration. Through the guided exploration of historical examples, in-class exercises, score study and analysis, discussion, and applied composition work, students will use the tools, techniques, and creative insights of key historical practitioners to create engaging original music and begin to develop their own individual style. A sophomore-level portfolio review will be conducted at the end of the course. Students must pass the portfolio review to pass the course, and to advance in the degree program.

    Prerequisites: MP 1230 - Music Composition I  and MP 2110 - Theories of Musical Practice II  

    Course Learning Outcomes:
    • Apply tonal and atonal contemporary composition techniques governing pitch, rhythm, and orchestration toward the creation of original electronic or acoustic compositions.
    • Justify composition decisions based on historical examples.
    • Produce a portfolio of creative work that highlights areas of musical focus and indicates an emerging individual style.


Credits: 3
  
  • MP 2330 - Sound Design I: Synthesis


    Credits: 3

    In this sophomore-level production course, students will apply critical listening skills to model existing and generate novel sounds using digital synthesis techniques. Through instructor demonstrations, technical lectures and readings about different sound synthesis techniques, applied creative exercises, and critical listening and analysis training, students will learn to distinguish between synthesis techniques, engage with stylistic conventions for sound design, and utilize the software tools necessary to synthesize sound. Students will design sounds using subtractive, frequency modulation, wave shaping, granular, sample-based, and physical-modeling synthesis techniques and demonstrate technical and creative skills through the production of sound libraries, virtual instrument presets, and short composition projects.

    Prerequisites: MP 1400 - How Digital Audio Works  and MP 2140 - Critical Listening  

    Course Learning Outcomes:
    • Create sounds based on listening, analysis tools, and knowledge of synthesis types and control parameters.
    • Evaluate historical conventions for sound design in various music styles.
    • Create custom synthesized and sample-based instruments.


Credits: 3
  
  • MP 2430 - Recording + Production I


    Credits: 3

    In this sophomore-level music production course, students will gain competency using modern Digital Audio Workstation tools, techniques, and workflows. Through creative project work, technique-specific exercises, and instructor-led demonstrations, students will become fluent in MIDI sequencing, multi-track recording and comping, audio editing and arrangement, signal routing, gain staging, and automation. Upon successful completion of the course, students will navigate multi-track productions with a strong understanding of track and asset organization, signal integrity, mix and routing control, and timeline-based sequencing of MIDI and audio materials.

    Prerequisites: MP 1400 - How Digital Audio Works  or diagnostic exemption.

    Course Learning Outcomes:
    • Apply compositional skill to produce remixes and original musical arrangements in a DAW.
    • Create programmed MIDI tracks to control virtual instruments and synthesized sounds.
    • Demonstrate basic multi-track recording, sampling, editing, comping, and sequencing skills.
    • Apply appropriate gain staging, signal routing, and automation changes to multi-track projects.


Credits: 3
  
  • MP 2510 - Music Copyright + Ethics


    Credits: 3

    In this sophomore-level music business course, students engage with legal and ethical issues concerning music sampling, licensing, ownership, royalties, and publication. Through lectures, case studies, discussions, contract reviews, and applied publishing projects, students will develop a foundational and actionable understanding of music as intellectual property. In addition to understanding and interpreting copyright law and best practices concerning fair use standards, music libraries, licensing, publication, and distribution of royalties, students will learn to identify clear and questionable ethical use violations, evaluate broader consequences of cultural appropriation, and cultivate ethical practices for social media use, file sharing, and music sampling.

    Prerequisites: MP 1500 - How the Music Industry Works  

    Course Learning Outcomes:
    • Utilize professional resources to establish, maintain, and defend artist rights and ownership of intellectual property.
    • Formulate ethical guidelines concerning fair use, music sampling, music sharing, and cultural appropriation.
    • Evaluate music recording and publishing contracts and music licensing agreements on the basis of intellectual property rights, royalty rates, and exclusivity.


Credits: 3
  
  • MP 3150 - Reharmonization Techniques


    Credits: 3

    In this junior-level theory and composition course, students extend their knowledge of harmony and learn techniques to re-harmonize existing melodies in different styles and towards different emotional effects. Through score study and analysis, demonstrations, and applied creative exercises, students learn to identify and explore vertical possibilities for the substitution, invention, and orchestration of chord progressions to accompany existing melodies. While the focus is on borrowed and chromatic chords, extended tonality, note spacing, and voice leading possibilities, the course also addresses issues of rhythm and pacing of harmonic changes and how they affect our perception of the harmonic accompaniment, texture, and overall style of music.

    Prerequisites: MP 2110 - Theories of Musical Practice II  

    Course Learning Outcomes:
    • Create new harmonic accompaniment for existing melodies in various musical styles.
    • Demonstrate understanding of note spacing, voice leading, and non-chord tones.
    • Apply borrowed, chromatic, and extended chords in accordance with specific music style.


Credits: 3
  
  • MP 3220 - World Music Composition Resources


    Credits: 3

    In this junior-level composition techniques course, students gain a foundational understanding of several styles, cultural contexts, and applied techniques that characterize the music of different cultures. Proceeding from the idea that music has no inherent value outside of the cultural context that values it, this course presents a comprehensive view of musical difference in relation to the communities of people who ascribe value to a particular style. Through recording and performance studies, secondary ethnographic research, and applied creative projects, students explore compositional resources that emerge in consideration of the environmental, socio-cultural, and sonic practices that inform music-making outside of established Western idioms. Key topics include: alternative tuning systems, harmonic structures, rhythmic and metrical structures, scales, instrumentation, and performance contexts.

    Prerequisites: MP 2230 - Music Composition II  

    Course Learning Outcomes:
    • Utilize research and knowledge about world music styles, composition and performance techniques, and cultural contexts to compose original music.
    • Demonstrate thoughtful and creatively interesting applications of alternative tuning systems, scales, and rhythmic devices.
    • Compose original music using instrumental sounds not commonly used in Western art, folk, or popular music traditions.


Credits: 3
  
  • MP 3250 - Contemporary Styles: Arrangement + Orchestration


    Credits: 3

    In this junior-level composition and theory course, students apply techniques of popular arrangement and classical orchestration to adapt and extend the timbral, structural, and formal possibilities of both existing and original compositions. Through the applied study of both traditional notation-based and modern DAW-based practices, students will develop connections and recognize creative possibilities for arranging that extend across technical competencies. The course will enable students to reproduce, hybridize, and creatively extend the distinctive sound qualities of specific styles of music, drawn from, but not limited to, the broader genres of Hip-Hop, R&B, Rock, EDM, Afro-Cuban, and Contemporary Classical music.

    Prerequisites: MP 2230 - Music Composition II  and MP 2140 - Critical Listening  

    Course Learning Outcomes:
    • Evaluate and thoughtfully apply arrangement and orchestration conventions for different styles of music.
    • Utilize different instrumentation, dynamics, and articulation changes to arrange existing pieces of music.
    • Justify creative orchestration decisions that juxtapose or hybridize stylistic conventions.


Credits: 3
  
  • MP 3330 - Sound Design II: Creative DSP


    Credits: 3

    In this junior-level production course, students will apply critical listening skills to sculpt and transform sounds using digital signal processing (DSP) techniques. Through instructor demonstrations, technical lectures and readings about processing techniques, applied creative exercises, and critical listening and analysis training, students will learn to distinguish between processing effects, engage with stylistic conventions for applying effects, and utilize the software tools necessary to design sounds using DSP. Students will transform sounds using spectral, dynamic, modulation, granulation, and spatial processing techniques and demonstrate technical and creative skills through the production of sound libraries, audio effect software presets, and short composition projects.

    Prerequisites: MP 2330 - Sound Design I: Synthesis  

    Course Learning Outcomes:
    • Create sounds based on listening, analysis tools, and knowledge of DSP techniques and control parameters.
    • Evaluate historical conventions for effects processing in various music styles.
    • Justify musical application of particular audio effects.


Credits: 3
  
  • MP 3430 - Recording + Production II


    Credits: 3

    In this junior-level music production course, students will gain proficiency using modern Digital Audio Workstation tools, techniques, and workflows. Through creative project work, technique-specific exercises, and instructor-led demonstrations, students will learn how and when to apply different microphone techniques, phase alignment tools, automation and modulation control, spatial imaging effects, and advanced signal routing. Students will also explore non-linear sequencing paradigms and learn to create rhythmic grooves using advanced quantization and editing techniques. Upon successful completion of the course, students will be equipped to use DAWs in creative ways to complete advanced multi-track recording and production projects.

    Prerequisites: MP 2430 - Recording + Production  and MP 2140 - Critical Listening  

    Course Learning Outcomes:
    • Apply microphone techniques and phase alignment/correction tools.
    • Demonstrate advanced automation, modulation, spatial imaging, and signal routing techniques.
    • Produce non-linear musical structures for multitrack audio and MIDI projects.
    • Apply advanced quantization and rhythmic grooves.


Credits: 3
  
  • MP 3510 - Music Business Administration


    Credits: 3

    In this sophomore-level music business course, students will learn best practices and acquire applied experience in business administration relevant to a career in the music industry. Through lecture, group project work, and individual assignments, students will demonstrate basic accounting practices, develop music production schedules and budgets, evaluate and draft contractual agreements, and create a road map for future career growth focused on measurable benchmarks. This course will equip students with both the foundational financial, administrative, and leadership tools required of musicians, and the strategic planning ability to set and attain future career goals.

    Prerequisites: MP 1500 - How the Music Industry Works  

    Course Learning Outcomes:
    • Create budgets, production schedules, and contracts for collaborative music and recording industry projects.
    • Apply basic accounting, business development, assessment, and project management skills.
    • Demonstrate how to conduct market research, form business entities, and assess tax liability.
    • Create a road map for career growth with specific and measurable goals.


Credits: 3
  
  • MP 3630 - Film + Game Music Production


    Credits: 3

    In this junior-level multimedia course, students learn to compose and produce incidental music for film and video games. Through the applied study of programmatic composition techniques, orchestration of instrumental and synthetic sounds, timing and pictorial cues, and industry-specific workflows, students acquire experience and a comprehensive understanding of both the craft and production process of composing music for multimedia.

    Prerequisites: MP 2430 - Recording + Production I  and MP 3330 - Sound Design II: Creative DSP  

    Course Learning Outcomes:
    • Apply appropriate harmonic, melodic, rhythmic, and orchestrational devices for a variety of programmatic and visual cues.
    • Create leitmotifs, themes, and variations for specific characters, locations, and emotions.
    • Demonstrate ability to compose to specific timings, pictorial cues, and in balance with diegetic sound.
    • Utilize film and game industry workflows to complete composition, orchestration, recording, and production.


Credits: 3
  
  • MP 3650 - Sound for Media I


    Credits: 3

    In this junior-level multimedia recording and production course, students develop the audio industry competency of producing diegetic sound for multimedia projects. Through applied project work focused on the integration of technical, organizational, and creative skills, students learn industry standard software and sound production practices for dialog, foley, automated dialog replacement (ADR), sound effects, and music sequencing.

    Prerequisites: MP 3330 - Sound Design II: Creative DSP  

    Course Learning Outcomes:
    • Apply foley techniques to record and sequence diegetic sound for visual media.
    • Utilize synthesis, DSP, and sound effect library to achieve audio effects appropriate to visual context.
    • Apply industry-specific workflows and technical standards in the recording, production, and delivery of audiovisual content.


Credits: 3
  
  • MP 3750 - Computer Music Systems


    Credits: 3

    In this junior-level music technology course, students learn to use music programming environments to create audio software systems that synthesize and control sound. Through demonstrations, technical exercises, creative experimentation, secondary research, and composition projects, students learn to apply their existing knowledge of music and digital audio toward the development of custom software instruments, sequencers, audio effects, analysis tools, and interactive performance environments. The course focuses on the acquisition of visual programming skills, understanding of foundational computer science concepts, and creative application of computer programming to realize music beyond the scope of what’s possible using conventional DAWs.

    Prerequisites: MP 2230 - Music Composition II  

    Course Learning Outcomes:
    • Create stable software instruments, audio effects, and interactive performance tools.
    • Demonstrate understanding of abstraction, iteration, control messaging, and signal flow.
    • Formulate programmatic structures to represent relevant musical concepts, including tuning and pitch relationships, rhythm, and dynamics.
    • Apply music programming concepts and techniques toward the creation of novels sounds, musical patterns, or performance interactions.
    • Utilize technical documentation and computer programming resources to debug code and solve implementation problems.


Credits: 3
  
  • MP 3840 - Digital Performance I


    Credits: 3

    In this junior-level music performance course, students learn to perform their original compositions and digital productions using a variety of music technologies. Through technical demonstrations, performance studies and analysis, and applied creative projects, students learn to accompany themselves using digital tools, adopt non-linear performance strategies, perform DJ sets, and create improvisational systems. Given the individualized nature of music performance, the course is designed to support experimentation, technical learning, and critical evaluation of performance paradigms to help students craft their own approach to technologically mediated performance. A junior-level performance portfolio review will be conducted at the end of the course. Students must pass the review to pass the course, and to advance in the degree program.

    Prerequisites: Mp 3430 - Recording + Production II  and MP 2230 - Music Composition II  

    Course Learning Outcomes:
    • Perform original music in engaging ways using a combination of hardware and software tools.
    • Create live performance tech setups that enable control of multiple instruments, accompaniment strategies for composed music, and improvisation.
    • Produce DJ sets.
    • Produce a portfolio of music performances that highlights particular creative and technical competencies and shows growth toward an emerging individual style.


Credits: 3
  
  • MP 4230 - Music Composition III


    Credits: 3

    In this senior-level composition course, students extend their knowledge of advanced technological practices for composition. The course content delves into the variety of techniques found in canonic and emerging electronic music composition and sound art. Through score study, listening analysis, and performance viewings, students expand their creative and critical thinking skills toward the creation of interactive music, sound installations, generative music, audiovisual works, and other electroacoustic forms. In addition to being an exploration of electroacoustic forms and techniques, the course also connects music to ideas. Students learn to self-evaluate and justify how compositional technique reinforces interpretative meaning. This course is required as the penultimate course in the degree program. A senior portfolio review and graduation project proposal will be conducted at the end of the course. Students must pass both the portfolio review and have their graduation project proposal accepted to pass the course, and to enroll in MP 4570, Visual Branding + Music Promotion.

    Prerequisites: MP 3840 - Digital Performance I  

    Notes: This is the penultimate course in the BFA degree.


    Course Learning Outcomes:
    • Create original compositions in various electroacoustic forms.
    • Demonstrate ability to integrate real time audio processes into composition and in support of concept.
    • Justify the use of particular techniques in alignment with musical intent and interpretive listening.
    • Produce a portfolio of that highlights advanced composition, production, and post-production skill sets and demonstrates an emerging individual style.


Credits: 3
  
  • MP 4430 - Mixing + Mastering


    Credits: 3

    In this senior-level music production and audio engineering course, students develop professional competencies in mixing and mastering music. Students will learn mixing techniques for a variety of musical styles and instrumentation, including a combination of acoustic and synthesized sound recordings. Through applied projects focused on the integration of technical, organizational, creative, and aural skills, students learn industry standard approaches to mixing and mastering audio based on style, sound material, and distribution format. Mixing and mastering are addressed from both practical and theoretical perspectives informed by music cognition, auditory scene analysis, and digital audio theory.

    Prerequisites: MP 3430 - Recording + Production II  

    Course Learning Outcomes:
    • Control audio spectrum, dynamics, and spatial imaging to produce balanced and emotionally engaging music.
    • Justify mixing and mastering decisions based on reinforcement of creative priorities, psychoacoustic principles, and digital audio theory.
    • Apply industry-specific workflows, style-appropriate techniques, and technical standards in the post-production and delivery of broadcast quality music.


Credits: 3
  
  • MP 4450 - Advanced Audio Engineering


    Credits: 3

    In this senior-level audio production and engineering course, students learn advanced production technologies, emerging techniques, and customized workflows relevant to the increasingly disparate, fluid, and agile ways in which audio industry professionals work. Through technique-oriented demonstrations, applied exercises, and creative projects, students learn to integrate outboard analog hardware, loudspeaker and room correction tools, advanced signal routing, and sound level management. Special attention is given to the production of spatial audio, including stereo, binaural, and ambisonic recording techniques, multi-channel production and mixing, and immersive sound reinforcement paradigms.

    Prerequisites: MP 3430 - Recording + Production II  

    Course Learning Outcomes:
    • Create immersive audio projects using multiple spatialization and multichannel sound reinforcement techniques.
    • Produce audio utilizing analog and outboard signal processing hardware.
    • Apply specialized hardware and software tools for loudspeaker and room correction, signal processing, and sound level management.


Credits: 3
  
  • MP 4570 - Music Branding + Marketing


    Credits: 3

    In this senior-level interdisciplinary course, students will work with their academic advisers to realize their graduation projects as proposed in MP 4230 - Composition III, while developing a brand and marketing plan for these projects in alignment with their career goals. Through brand audits, presentations, critiques, and applied writing and design exercises, students will develop a strategic brand platform and learn to communicate it through various marketing channels that align with both creative and professional objectives. Upon completion of the course, students will be able to articulate their brand positioning and share a cohesive digital brand presence that includes an online portfolio and the distribution of a completed graduation project through online music platforms or social media content as determined by their strategic marketing plan. Final graduation projects will be presented to and reviewed by a panel of faculty and/or external music experts.

    Prerequisites: MP 4230 - Music Composition III  

    Course Learning Outcomes:
    • Create a strategic brand positioning statement and a marketing plan for their music or audio projects.
    • Demonstrate professional work through the curation and presentation of an online creative portfolio.
    • Produce, master, and distribute original creative work in alignment with faculty approved graduation project proposal.
    • Create a digital brand presence via the channels specified in a marketing plan.


Credits: 3
  
  • MP 4650 - Sound for Media II


    Credits: 3

    In this senior-level multimedia recording and production course, students develop professional competencies in sound mixing for multimedia projects. Priority is given to mixing for visual media, with additional exposure to radio and podcast production. Through applied projects focused on the integration of technical, organizational, creative, and research skills, students learn industry standard approaches to mixing diegetic and non-diegetic sound. Mixing is addressed from both practical and theoretical perspectives informed by music cognition, auditory scene analysis, and digital audio theory.

    Prerequisites: MP 3650 - Sound for Media I  

    Course Learning Outcomes:
    • Control audio spectrum, dynamics, and spatial imaging to produce balanced, realistic mixes.
    • Justify mix decisions based on reinforcement of creative priorities, psychoacoustic principles, and digital audio theory.
    • Apply industry-specific workflows and technical standards in the post-production and delivery of audiovisual content.


Credits: 3
  
  • MP 4840 - Digital Performance II


    Credits: 3

    In this senior-level music technology and performance course, students learn to use real-time audio and video processing tools to create, manipulate, structure, and deliver live musical performances. By focusing on the separation between audiovisual synthesis and effects processing and interactive control paradigms, students learn to use a variety of tools and technologies to create engaging performances that align with both the musical material and their individual performance skills and proclivities. The course is designed to encourage creative collaboration—to leverage individual technical or creative skill sets toward a cohesive performance—and to empower students to thoughtfully incorporate visual materials, environmental sound, multiple loudspeakers, or non-standard music controllers and performance interactions.

    Prerequisites: MP 3840 - Digital Performance I  

    Course Learning Outcomes:
    • Produce a musical performance using real-time audiovisual control systems.
    • Identify performance strengths and weaknesses and work strategically and/or collaboratively to maximize audience engagement.
    • Utilize a non-standard physical object or instrument to control digital music and/or video materials.


Credits: 3
  
  • MP 4900 - Special Topics in Music Production


    Credits: 3

    In this advanced music production seminar, students will explore concepts and practices beyond the scope of the core coursework and expand their awareness of the musical, cultural, and technological issues relevant to the field. Each Special Topics in Music Production class will be unique and proposed by RMCAD professors to reflect areas of personal expertise and advanced study. Standard and/or emerging music technologies, applied methods, and theoretical studies and are introduced, including but not limited to: electronic composition, music programming, sound synthesis, sound installation, atonal music theory, experimental music, immersive audio, physical computing and human-computer interaction, audiovisual music, and sound for film, games, and mobile app development.

    Prerequisites: MP 2230 - Music Composition II  and completion of 45+ credits or approval of department chair.

    Course Learning Outcomes:
    • Create work that represents knowledge of the special topic and appreciation for the practical or creative applications of the technologies and methods discussed.


Credits: 3

Physical + Natural Science

  
  • NS 2030 - Biology


    Credits: 3

    In this course, students will explore the basic aspects of life on earth. The course will cover cells, photosynthesis, DNA, genetics, evolution, natural selection, biodiversity, population dynamics, and global climate. Students will explore these topics through field trips, classroom activities, laboratory exercises, and lectures. Upon successful completion of this course, students will understand the biological, chemical, and physical processes living organisms utilize to sustain life.

    Prerequisites: none

    Notes: The textbook Biology: Concepts & Connections, 7th Edition is also used in NS2040.


    Course Learning Outcomes:
    • Understand the nature of science to critically assess media reports of science, pseudoscience, and non-science.
    • Understand the diversity of living things.
    • Understand ecological environments local to the student and in a global context.
    • Understand the relevance of these ecosystems, as well as the biotic and abiotic components of these ecosystems.
    • Understand the structures and purposes of these structures in prokaryotic and eukaryotic cells.
    • Understand cell structures to examples of changes in cell function.
    • Understand basic structures of living things using concepts of homology.
    • Understand the relationship of the structure of living things to its function.
    • Understand the observations that lead to the theory of evolution by natural selection.
    • Understand different types of selection.

    NS 2030 Course Learning Outcome Rubric  

    Required Textbooks:
    ON CAMPUS: Biology Science for Life - ISBN: 9780321767592

    ONLINE: Campbell Biology: Concepts & Connections, 7th Edition - ISBN: 9780321696816

Credits: 3
  
  • NS 2040 - Environmental Studies


    Credits: 3

    This course will examine major topics in environmental science, including human population growth, conservation, species extinction, pollution, water use, energy, and climate change. Students will explore these topics through field trips, classroom activities, laboratory exercises, and lectures. Upon successful completion of this course, students will not only understand current environmental issues from a scientific perspective, they will also be aware of the social and political conditions that influence environmental science.

    Prerequisites: none

    Notes: The textbook Campbell Biology: Concepts & Connections, 7th Edition is also used in NS2030.


    Course Learning Outcomes:
    • Understand the earth’s natural environment and its relationships with human activities
    • Understand and implement scientific research methods to address environmental issues
    • Understand the Earth’s major systems and how they function and are affected by human activities

    NS 2040 Course Learning Outcome Rubric  

    Required Textbooks:
    ONLINE: Campbell Biology: Concepts & Connections, 7th Edition - ISBN: 9780321696816

Credits: 3
  
  • NS 3050 - Human Ecology


    Credits: 3

    Human Ecology examines the relationship of humans to the environment through an analysis of historical and theoretical understandings of the relationship between environment; biology and cultures; and a review of ecological principles and terms. Topics include: disease, sustainability, famine, and pollution at the local and global levels. Upon successful completion of the course, students are able to knowledgeably discuss and write about the key theories in ecological anthropology, including the historical contexts in which they arose and environmental issues within the contexts of politics, economics, culture, and the environment.

    Prerequisites: none

    Course Learning Outcomes:
    • Understand human ecology and environmental studies.
    • Understand ecosystems and what is meant by human agency in an ecosystem.
    • Understand the terminology of environmental studies.
    • Understand various cultural practices and beliefs about nature.
    • Understand ecosystems at local and global levels and feedback loops.
    • Understand Geologic Cycles, Population Biology, and Evolution Theories.
    • Understand sustainable and unsustainable human interactions in ecosystems dealing with specific human ecology topics.

    NS 3050 Course Learning Outcome Rubric  

    Required Textbooks:
    EBSCO link: Human Ecology EBook - Steiner et al. (2016)

Credits: 3
  
  • NS 3100 - Acoustics of Music


    Credits: 3

    In this junior-level science course, students learn the physical properties of sound waves— how sound travels through a medium, how objects emit and absorb sound, how sound waves are measured, transduced, and represented, and how musical objects and ideas work to shape acoustic reality. The course focuses on developing a physical understanding of musical phenomena, the characteristics of musical instruments, and sound reflection and absorption in rooms and listening spaces. Through lectures, demonstrations, technical exercises, and applied acoustic and digital audio experiments, students learn to describe, manipulate, and predict the behavior of sound waves in both real and computer modeled environments. Students learn the physical basis of particular acoustic phenomena in music, including resonance, echo, reverberation, complex spectra, filtering, phase cancellation, Doppler effect, and amplification. Students also develop a scientific understanding of key musical concepts, such as tuning, harmony, and instrument design based on acoustic principles. Upon completion of the course, students will understand the basic science that governs musical practice and technology and be able to apply foundational knowledge of acoustics toward the creation of new instruments and sound manipulation tools.

    Course Learning Outcomes:
    • Explain how sound propagates through a medium and how musical instruments work to emit sound.
    • Formulate sound absorption plans for different rooms and listening spaces.
    • Demonstrate an acoustical understanding of tuning, scales, harmony, and common musical effects.
    • Create a musical instrument.


Credits: 3
 

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